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A look at how The Zone of Interest uses off-screen space and sound design in one of the most hauntingly powerful ways I've ever seen in a film. Featuring an interview with Johnnie Burn, sound designer who just won an Oscar for his work on this film.
This video is spoiler free, so if you haven't seen the movie you, this video will be a good introduction to what's unique about it, and why it's a significant achievement from a filmmaking perspective. If you have seen it, I hope this video gives you some extra insight into the unique craft and attention that went into this film.
References:
-"Theory of Film Practice" p. 17 by Noël Burch
-"Thinking beyond the frame" by Sharon McDonagh
filmmatters.substack.com/p/th...
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“Right now we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people. Whether the victims of October the 7th in Israel, or the ongoing attack on Gaza, all the victims, this dehumanization, how do we resist?” ~ Jonathan Glazer
How do we resist 😢💔
Ugh i love you flight free palestine till its backwards 🍉🍉🍉
This is why i think isreal is more hypricrats then nazis, the nazis/raceist attacked every1 and stole power in u.s.,canada/europe,so no1 is attacking them when they attack people. its jewish people=theres 2 words to say people hate them. and theyre attacking random people. (not even for land=because they didnt own it for 1800 years.). ninja help palistine. because the 2nd hypicrates made palistine scared of seeing u.s. stuff on planes or boats now=research cia history/u.s. history= its not muslum people that are terrorists. the u.s has LITTERLLY been attacking countries and doing the knee cap thing for smaller countries to either=get money, or stop freedom. yes. all of it is propaganda so rich raceists can act look good people without feeling guilty.
"Using words like 'occupation' to describe Jewish citizens defending a homeland that began thousands of years ago, and was recognized as a state by the United Nations, distorts history. Such a statement reinforces the plot of modernity that feeds growing anti-Jewish hatred around the world, in the United States and in Hollywood. Every The death of a civilian in Gaza is tragic, but Israel is not targeting the civilians. The moment Hamas releases the hostages and surrenders, this is the moment when this heartbreaking war will end." This is a quote from a response letter signed by over 1000 actors and Hollywood industry workers, as a response to the director's statement. The Jewish director, who, out of sheer stupidity and insolence, decided to appropriate our Judaism for the purpose of creating a moral comparison between the Nazi regime, which sought to exterminate an entire race of people, and the way in which the State of Israel works to prevent its destruction. Just a terrible and shocking false comparison. Shame that he is part of our people.
*dehumanisation Mr Glazer is British.
I watched this movie in cinemas and it's probably one of the most disturbing non graphic movies out there. The fact that it made me feel so uncomfortable without showing a single moment of violence is incredible.Truly a masterpiece.
I didn't watch the movie in the cinemas, but will second your sentiment about the film. The degree of discomfort it caused by subtly insinuating the horror through sound was stunning. This one will stick with me the same way that Schindler's List did when I watched it as a teenager.
I agree. I watched it at home, but it was unsettling and haunting nonetheless. Tension from start to finish, created by everything we DON'T see. Which is, after all, one of the main "tricks" in horror - we are more afraid of the monster that is out of sight.
Can you believe this movie is PG-13?
@@RickyfingersI think that is a good thing actually, gives the film a wider reach. I mean I think even teens can understand this film very well, and honestly they should be shown it.
I look forward to seeing this film. I just wanted to say that filmmakers and TV writers today don’t seem to know how to express ideas of horror, eros, or much else without showing it. I guess that I’d say to them that just because you can show that doesn’t necessarily make that the best way to invoke reactions in your audience. I hope that makes sense.
That shot of the unseen train's arrival is amazing.
Best shot from any movie in 2023 in my opinion
For me the best shot of 2023 isn't the train one but the one where Hoss is standing outside at dusk and you can see flames rise out of the smokestack behind him and it's almost the only light on screen.
Going from a late night giggly conversation about chocolate, "if you can get your hands on some", to that bright white vapour and sound design made me jump in my seat. legit haunting
One of the most unsettling aspects from this film as an audience member that after an hour or so I started to (unintentionally) ignore or not hear the soundscape anymore because it was so persistent and droning, so I started to filter it out of my perception as a viewer. Near the end I started to notice it again, and I realized exactly why it is possible for the camp commander and his wife to keep on living their lives as they do, because for them it's the same. They don't hear it anymore and are desensitized to the sound, just like I was as a viewer after only an hour or so. That confrontational realization was quite shocking.
Yes exactly I had to put effort in and focus on the sound (I sometimes closed my eyes) to hear it. It’s like you have to stop yourself to become one of the family members, you have to intentionally acknowledge what is happening around. I guess that’s part of the message, they said multiple times it’s a film about toda, about dehumanisation. We do this blocking out everyday when we watch the news
Honestly, seeing how Rudolf’s children grew up is terrifying. Most, if not all, of the siblings still boast about their time there. One of his daughters even did an interview before she died saying that her father was the best dad in the world and that she denies that the Holocaust even happened. It just shows how much this kind of life affects everyone. The victims, the parents, the kids, the neighbors. Everyone. Nobody is safe from war.
That's honestly one of the most disturbing things about the human experience. The man (if we can still consider him that) may have truly been an excellent father, he was also of course a monster. The extent that people can compartmentalize or justify evil is terrifying.
@@swampert564 He was a man, and we need to remember that. Atrocities are commited by people not monsters. The day we forget that is the day we let our guard down. "How can he be a sadist, he loves dogs!"
It shows how accurate the film was
@@lawrencesmeaton6930 That last line is very fitting because hitler loved dogs
We do a disservice to the rest of humanity when we label someone a monster, almost as if we believe that we are above such despicable acts, that no true “human” would ever do such vile things. Hitler was a man. Rudolf was a man, a father, brother, husband. That’s the most disturbing and vile part of it all.
I am German and in my 40s. The weirdest thing happend while watching the zone of interest: vivid memories of my east German grandmothers house appeared. I could actually smell her house, I remembered the sound of her wooden staircase, the furniture and other details. This is how real this movie sounds. Thanx for this extraordinary essay!
Oh wow, that's how I imagined the German couple next to me had felt when watching the movie. For context, I'm from Romania and went to this movie and the moment I saw the woman and the man I knew they were German. Being next to them I wondered how much some of the characters reminded them of their relatives. I imagined that this film felt much more personal to them. I enjoyed it nonetheless. It was a fun coincidence being next to them. Like it richened my viewer experience having their presence so close. Hope that makes sense
@@diana.324 sounds like it made it even more real? Nice. 🙂
Same here. I'm Austrian and in my 40s, and my grandparents' house was very similar.
However the House where the Hess Family lived was NOT in Germany, it was in the Generalgouvernement, former Poland
@@koenignero yes, I know. Both areas are pretty close and today's northern Poland used to be German, so it is very similar. The landscape also.
What an amazing year for Sandra Hüller, starrer in two of the best films of this year.
I saw both of them within a week or two of each other. It took me an embarrassing amount of the run time of Anatomy of a Fall to realize that she was the same woman. Back to back masterful (and incredibly distinct) performances.
She sucks and has a small acting range
I've just realised from reading this comment. Crazyy.
One aspect of the film which really resounded to me was how it ends up showing the banality of the Höss family's life. It is horrific in its depiction of regimented banality and fascist domesticity. There is fundamentally nothing of important happening within this family's life. The mother Hedwig cares for the household along with her help, the children are as playful and disciplined as their age, and the father Rudolf maintains respect in the home that he seeks in his workplace. However, with the terrifying reality of mass violence next door, I myself started to read more deeply into the actions and mindsets of these otherwise typical people as part of their oppressive national identity. Hedwig, exacerbated by her husband's transfer away, threatens her maid with being turned into ashes by her husband and spread among the countryside. Their teenage son Claus, dressed in a stormtrooper cosplay, cruelly locks his younger brother in their greenhouse as smoke rises above his head. While his kin live their lives downstairs, Rudolf uses the home office to discuss incineration chamber designs of the complex he oversees. With the historic suffering occurring literally within earshot of this family, the actions of the Hösses are simultaneously important and unimportant. The terror in the camps dwarfs any actions Rudolf takes in his domestic life, yet his professional despotism doesn't disappear when the dinner bell chimes. The atrocities he commits are unconscionable, yet in the Nazi state, the unconscionable can find a home.
You make interesting points regarding specific behaviors within the family that might go unnoticed by audiences, and I like how those relate to the overall context, but I personally think that the movie itself was a bit too blatant and obvious and a bit overrated. It's like after two minutes I knew exactly what the point was and, while sometimes interesting and sometimes chilling, the rest of the film did little but incessantly reiterate the same idea. I don't know, maybe I expected something with more room for interpretation, something of a more mysterious and evocative nature, something with a little more substance, maybe more along the lines of The White Ribbon, where the actual holocaust is only hinted at metaphorically and the movie has its own themes that can be explored independently.
yes, kind of the same as Israelis party a few km away from Gaza, kinda how they block aid trucks so Gaza starves, kinda how Israelis forcibly evict people from their own homes so they can then take over said homes, kinda like IDF kills thousands of children and then record some stupid tik tok video dancing and celebrating. What I am trying to say here is that anybody can comit those crimes - all you need is a bit of organizing. A bit of legal infrastructure to base it on, a bit of assistance from the armed forces, a bit of dehumanizing, a bit of "othering" - and what we now see as a nightmare becomes the normal reality, becomes mundane and ordinary, becomes "how things should be".
I was so glad they won the Oscar for sound and still I am blown away by this work.
“Where in our lives are we like the hoss family?” Well said I think what made this movie so terrifying was how normal this family seemed. They were so consumed with their own lives and making their dreams come true by having this perfect house and all these beautiful things. Everything outside of them was background noise.
Most student filmmakers should watch this since they prioritize cinematography more than the sound.
...and they prioritize glossy filmmaking just for the sake of it because "that's what pros do", instead of thinking of photography as a tool. Can you imagine this film or the original Texas Chainsaw Massacre being glossy? They would be totally pointless.
However the Sound in the Background is overdone over the full lenght of the movie and therefore theatrical and annoying.
@@koenignero Stylized, as every piece of art should be.
@@JS-ou3otOr it is intentionally annoying for a reason
@@koenignero Yes, indeed.
the way they “harvested” sounds is kind of terrifying but so effective
When you get into sound and ambience, movies are an unparalleled escape.
I agree, I'm obsessed with sound. However, I personally feel that video games are a strong contender for cinematic escape as well. I can think of many incredible experiences I've had through single player games that are significantly driven by excellent sound design. It's a huge component in creating a rich, thematically cohesive atmosphere which the best games have.
However the Sound in the Background is overdone over the full lenght of the movie and therefore theatrical and annoying.
@@koenigneroI love how you keep copy and pasting this comment without noticing the blatantly obvious grammatical error.
@@Brain-WormedNobody cares about your issues
Recognizing Johnnie Burn for his work on this film was a perhaps surprisingly excellent decision by the Academy
As a German speaker i just realised that Film 2 is a slightly different experience than the film with subtitles. A lot of the camp talk wasn’t intelligible for me (might be my bad hearing though). So the message was a lot more visceral than what you get through subtitles. Like , people getting drowned only happens through the consequence of them fining bones in the river. With the subs it’s a lot clearer who is responsible. You mentioned that as a viewer the background noise gets drowned out, I had the same experience. This would not be possible if every shot had a subtitle, like BANG. I feel like in this films the subs change the viewing experience a lot more than with other films. Of course i have to watch the film with subs again, maybe it’s not as dramatic as I imagine
I couldn't help but feel, as I watched with subtitles, that I was receiving more information than I was supposed to. Subtitles can be excellent if you have a hard time telling what people are saying, or if your environment is a bit noisy, but I prefer to have them off if I can. However, I cannot speak German, so subtitles were required, and suddenly a lot of subtle information became blatant. I didn't need to know exactly what the people in Movie 2 were saying, that's not the point, and it might have lessened my viewing experience. That being said, my brain still tuned out the background noise by the end of the movie, and the sounds from Movie 2 are still absolutely haunting. I just get the same feeling I get whenever I watch a movie in a language I don't speak. Is this translation really accurate? How different would my experience be if I could speak the language? I think with this movie in particular, the issues could be solved by have distinctly separate "subtitles" and "closed-captions". The subtitles would not include any indications of sound effects, only dialogue, and would be for people who don't speak the language, people who like reading the lines, etc. The closed-captions could include all of the sound effect cues like BANG for people who are hard of hearing or in a noisy environment. We only ever get full closed-captions, so you have to see sound effect cues if you don't speak the language.
The bones(and ash) in the river were remnants of prisoners burned in the crematoria, not just bones from one or two prisoners who were drowned.
@@bigmilk13_ are you talking about the theatrical release? It's fairly common for DVD, Blu-rays and sometimes streaming to have separate subtitles and Closed Captioning (CC) I almost always watch films with closed cationing because family members have hearing difficulty, and in anime, of course, subtitles in translation verses dubbing is a constant issue. In anime there's a lot of viewer who generally prefer subing over English dubbing, but the quality varies tremendously from anime to anime, the bigger "classic" ones usually getting much better treatment.
I'm so glad you covered this film! I remember I kept thinking, "Why don't they ever react to the smell?" because the film, as you said, caused me to think about the historical elements. And then Hedwig's mother arrives and acts as the outside observer, reacting to everything the Hoss family tunes out. Also, seeing the smoke from the train punched me in the gut.
Nose-blindness is a thing.
I hate to say it, but it was perhaps like smelling the worst barbecue in the world, but on a daily basis. Notice how closer to the end of the war, the smoke became more frequent? Effing scary, uncomfortable, creepy, evil, all of those things at once.
Thomas, as always, you have crafted a remarkable analysis of the film that has deepened my appreciation for the creators' craft and the deeper significance of why they did things the way they did. When I saw this film at the Mary-Riepma Ross Theater, the moment that startled me the most was near the end when Rudolf is attending the high society dinner gallery and we see all these people enjoying their wealth, luxury, and privilege. As the camera moved about the palatial estate, this raging, impulsive thought bubbled up: "Look at all these sick and hideous people who are profiting from this terrible tragedy. They should suffer and die like the people they don't care about." When Rudolf calls home and admits that he himself has been contemplating the logistics of how he would gas them all, if only the ceilings weren't so high, I was struck by the parallelism of my violent impulses with such a despicable character on screen. It gave me pause as I considered how easy and terrifyingly quick it is for a person to dehumanize others and wish them harm. As I left the theater, I was contemplating the way this film indicted me in how humans' thinking contributes to a banal and violent complicity. It is terrifying to consider how close and similar one may be to a villain/bad person, which is perhaps why it is incumbent upon us to recognize that evil and--once identified--renew our own struggle against such impulses and to move towards more just ways of existence. This film is a masterpiece, and it ought to be seen by more people.
This movie was one of the most terrifying movies I saw last year, not because of how horrible Nazi Germany was but because I saw myself and so many “good, regular” people in the Höss family. We all swore the Holocaust would never happen again but I could easily see a future where the whole world lives just like the Höss again. As you mentioned in the video, by having the audience experience the filtering out of the droning background noise, it makes us realize how easy it is start ignoring the suffering. It’s so much more effective than showing or telling us shocking images.
This is an excellent analysis. Thank you. The most impressive thing about this movie, to me, was how seamlessly they managed to associate nearly every texture and color back to the lives lost. The water, the fabric, the cleanliness of their space, the very soil that feeds their garden... are all made up (or by) the millions of people they're not acknowledging. The jaw in the river made it clear, and then nearly every close up shot for the rest of the film could be explained by acknowledging what was happening.
This film was an absolutely excruciating watch-and I mean that in the best way possible. More than once, I was almost feeling bored with the mundane life of the Höss family, only for the sounds to jerk me back into the terrifying reality of what was actually happening. Such an effective way to portray the "banality of evil"; an absolute masterpiece. I feel like Glazer's speech at the Oscars and the subsequent reactions to it only make the point of the film so much more poignant. We'll just ignore the very real atrocities around us if we don't want to care.
I also felt bored sometimes, thinking, “I’m done now. I get it. And now I have a new rage.” And I would think that I was meant to endure MORE of their mundane life next to fucking AUCHWITZ!!! Birthday parties, gardening, cooking…
I watched about 5 minutes of this video before realizing this film is on Max, I’m definitely going to watch it and come back to this video essay. I respect the director, Jonathan Glazer, so much for his speech. He refused to let willfully ignorant people go on with their cognitive dissonance when it comes to the subject of the film and what is currently happening to innocent lives..
It’s the most horrific film I saw this year. Horror included. It’s a brilliant film and almost a masterclass in nuance. Also loved the “x ray” scenes. The sound design is also on another level.
I love to compare this one with my favorite ww2 film “Come and See”. They are both amazing, like I love them both, but the sounds in the zone of interest, it gives me a chill as I saw the house in “Come and See” burned down. Just amusing.
Arguably the strongest film from one of the strongest years in cinema yet. This is the kind of film I always look forward to, something that pushes what I can expect from the medium and keep reminding me why I love to watch movies.
I got uncomfortable chills the second you played some of that black screen footage from the film. What an arresting film.
I knew the gist of what to expect when I finally watched this on MAX, however that 3 minute screen of darkness with the droning soundscape, definitely let you know you were about to experience something different.
I went into this movie without watching a single trailer and only knowing what the movie was called. I am of course biased but I think that is how this movie was meant to be watched.
I think the point the film is trying to make in the end is that we all go through our lives ignoring the apparent horrors around us. It is obviously abhorrent how the Hess family continue to live seemingly normal lives with such pain and suffering on their doorstep. But it no doubt affects them. It is a small world and we do not live so far away from such abject violence and genocide. How does that knowledge affect us in our everyday lives?
The first time I became aware of the true effects of Sound design was "the others". The makers basically did the same by subverting your expectations through the use of sounds in a different way than normal.
I went to see this with the exact purpose to *hear* the sound, and knowing a lot about Auschwitz day-to-day running made me appreciate this movie a lot. To me it felt like the director wanted you to be pulled in, as another person just observing the day to day life of the family passively. To be included in the household, to be standing in the garden and seeing the furnaces running in the background, watch the train pulling in to Birkenau just across the field. It does make your brain filter out the background after a while if you don't force yourself to actually keep your ears primed for the sounds behind the walls. The sound design in this movie is brutal, there is no denying that, but it is an exceptional choice to make. The simple fact that you don't ever see anything from inside camps I and II makes your brain work overtime to imagine it. And as I have always said when concerning horror movies - if you never show the monster, it makes for a much better movie because whatever you imagine in its place is way worse than anything the director and/or artist decide to show you.
this film, talking about a genocide that is happening right in the face of the characters but being willfully ignored, coming out when it did was "good" timing. With another genocide being so strongly ignored, this film can be a way to help us understand why that happens
The way you described how this film was shot and how really the actors are still doing one take but through different cameras set up in different areas kinda reminded me of how playing Resident Evil was like. And just like in that game, the camera is set up where you can never really tell what you might see and you almost sometimes imagine something much worse unless you directly see it. That might seem like a very stupid comparison, but that’s just what first came to mind for me.
getting the actual artists to chat is such great work. I love these videos, cheers to you and yours.
bro you’re the best film youtuber out there hands down. every video i watch over yours is so thought provoking and so elegantly executed i just love it. keep up the incredible work.
I was hoping you'd make a video on this film. It's so incredible. I saw it twice in the theater just to get the full experience of the sound. Your analysis, as always, is spot-on. These videos are so much more interesting and inspiring than the 4 years I spent in film school. 👏🎬
it doesn't let you see because it's not in your zone of interest.
Fantastic video Thomas you are killing it!!
Reminded me of a tour of Dachau when I went to Germany. There was (and still is) a functioning suburban neighborhood DIRECTLY behind the camp with a wall separating a backyard from the camp. Wondered how folks lived there could honestly say they didn't know. Even today as it's now something of a historical monument, but IDK if I'd want to live so close. Dark stuff. The river scene, too OMG...
This is something porco rosso Does!!! Oddly enough both movies do have a few similar themes
Hey! So true!
Gonna need to explain that. I love Porco Rosso, but I'm not sure I see the connection.
@@Tiparium_NMF there's as well a second movie on the background, dogfighting scenes and the war developing on the radio and the news porco's friend brings to him when he tries to recruit him It's a background plot and many implied character's stories that we are not shown yet are very important for the movie and it's anti war, anti fascist message
"I'd rather be a pig than a fascist" is as relevant today as it was in the times depicted in the movie, too...
@@Airsaberyup, a lot of fascists in our government, that's for sure.
ONE MILLION SUBSCRIBERS, nobody deserves it more than you Thomas, best video essays on KZhead
Yo, Thomas! I loved that you sped things up and made it more dramatic during that take, badass dude!
I think you forgot to mention that the camp is seen and the chimneys with smoke coming out of them was an important part of the film. It is where Film 1 and Film 2 meet.
Zone of Interest was such an arresting, overwhelming experience for me. Just an incredible vision carried out to a perfect extent. I saw it in cinemas twice and although it feels weird to say this about a haulocaust movie, it's one of my favourite films of all time. This was a really exceptional analysis and as someone who found the sound utterly enthralling I'm always keen to hear more from the sound wizard Johnnie so thanks for this!
Very possible that this is my favorite film of the last 10 years. Was just floored by it.
Great job with this video. Surely one of the best essays I've watched about this movie.
This is an outstanding discussion. Thank you.
Terrific video, sir. I love the Sontag quote, too.
Love your content sir. For most of my 47 yrs I have loved movies of every kind, but when I came across you and a few others similar to you, it made me love them even more. You have guided me towards movies I might’ve never seen, you’ve spurned me to watch movies I’ve put off watching, and when I watch a movie I check after to see if you or the others have done a video on it. And you never disappoint. You always give me a much deeper understanding and appreciation for movies. One thing about this movie that keeps replaying in my head is a scene where an order is given to execute two prisoners because they were fighting over an apple. The “silhouette girl” was hiding apples for them. It’s just tragic in so many ways. Her kindness got two men killed, but kept others alive and the fact that two men had to fight much less die over an apple is a good representation of the absurd horror of such a situation. And it was captured in that one moment perfectly. I watched this with headphones for the full impact. I didn’t really become desensitized to it so much as I wanted a break from it. The constant barrage of sound was exhausting. Maybe some of us become desensitized to it like the family. But I found myself relating to the wife’s mother and how she was declining in her general well being. She was being exhausted by the constant stimulation. Another aspect of the sound I couldn’t escape was the constant crying of the baby and the barking dog that was never settled. It made me think that these characters also shared in the moms exhaustion. In some way I think it was an echo of the Jews inside. That such evil destroys everything it touches and nobody on either side of the wall is immune. The good people will be helpless and live in fear, and the mediocre will be victims of their own worst selfish impulses. Anyway.
Congratulations on 1M dude. Love
THOMAS YOU'RE THE GOAT.
This was haunting to learn. And awe inspiring. What a team to make this vision reality. Now off to Nebula - never been happier to be a subscriber!
My question is how did you get Mr. Burn agree to an interview? Sounds big deal to me, and I loved it! 😊
this video is exactly what i needed after watching this film. i felt cracked open and like i needed to process it with others in some way, however possible. thank you for providing that space in these comments. 🖤
After I heard you talk about the sound design I knew I needed to watch this instantly.
Great video as always!
i think you completely nailed the main theme of “disconnect.” after i watched the film i was left with such a feeling of shame and guilt for the things i find valuable in my life when such cruelty exists around me. i definitely think that was the main point of this piece. thank you for this video!
A fantastic interview, thank you!
Idk what the fuck happened but when you started talk about the off space my phone bugged out and more than half of the screen (right side) got dark, but since you were talking about the space where characters look and some moments looked good like the jaws part where the characters weren't cut just jailed in a smaller space making me imagining (since I didn't remember) what was in the right side of the scene Fucking amazing bug really
Yes!! Thank you for this. For being a movie with very different subject matter, I got a really similar feeling from watching Todd Haynes’ “Safe.”
Great as always. Now I gotta sign up for Nebula.
I described the camera as like security cameras. The sound design was amazing. I cried at the edn of this movie.
Omg I'm early. Good movie, I'm glad you're covering it
Brilliant analysis!
What an extraordinary film, and made all the better for watching your video on it. Most disturbing on how humans blank out dreadful inhumanity, and it engendered a lot of reflection, not only on current conflicts but also on the rampant inequalities in the world that we don't look at enough. Also, much less deeply, that little dog that belonged to the actress was delightful and a real star!
this video really feels like it examples how the world sounds to me vs how it sounds with my earplugs a.k.a what i tend to think everything sounds like to other people
Incredible video
I can't wait to watch ur video since I found your youtube channel by chance. big love from korea. thx
Great movie. Not sure when I'd watch it again, but it was definitely an experience unlike anything else I've seen. I was blown away by the sound design, and hoped it would win best sound at the Oscars, which is deservedly did.
The second time I got to watch the film the scene you show at 8:09 stood out to me. It was te most clear moment for me that the story outside and the story inside must not intervene with eachother. I noticed that the man's voice he heard outside was his father's. Ofcourse him hearing someone being murdered over an apple is horrible enough. But seeing and hearing your father do this adds an extra layer for me the second time around. What sound design can't do...
totally deserved the sound design Oscar
Amateur film critic and Honors university professor. Love your content and subscribe to your channel. Binged four episodes this week. Just saying “thank you.”
I noticed even the dog had his own Zone of Interest... he just happily walked around and didn't bark at anything - not at screams, gunshots, random yelling, baby crying - he did whatever he wanted all day (with little to no consequences). But when the dogs were barking at prisoners over the wall, he went crazy.
One of my favorite decisions is one of the more obvious ones. The baby is always crying and there's never really an acknowledgment as to why. Obviously there are loud noises going on outside but it's also as if the youngest knows instinctively that something is wrong.
well, that’s one way of looking at it. but mostly i think it’s just realistic. babies cry sometimes incessantly. that’s about as real of a background sound as it gets
I like Johnnie sound design on Under The Skin as well and Nope
One of the bigger realizations for me about the film's genius was when I noticed that even during watching it I started to tune out the horrifying sounds on the background, had a smile on my face when that phenomenon was brought up at the end of the video. This is easily the most impactful film from recent years and a modern masterpiece.
Thank you for not playing *the sounds* here, *those* sounds. I remember them clearly and they haunt me. This film is an absolute masterpiece. I wish I was ready to watch it again soon, but I think I'm not ready yet. What an experience.
As I watched it, I was reminded of my reaction on hearing the news the day the school in Uvalde was shot up. I told a coworker I was on the phone with as I saw the news come over my phone. Her reply was that she doesn’t have time for news. I remember thinking “Well, I have to get my work done, too.” The reaction was far different than the day Newtown happened, or Columbine for that matter. It’s not just numbness; it’s that we no longer even have a reason NOT to be numb. My boss won’t accept that I’m distraught unless it happened to my family. That’s how complacent we’ve become to mass shootings in the US. But that’s not all: Our economy has grown, house prices have gone through the roof, and immigrants are still jockeying to get in. Enjoying ourselves much? 🥂🍾🥳 WHO ARE WE? WHAT HAVE WE BECOME? And this not even touching on atrocities the world over. Modern media contributed to numbing us; but so does failure of those in power to do anything about pretty much anything. Oh, of course: yet another investigation of potential war crimes - or even declarations that there WERE war crimes committed. But what’s the point if there are never consequences that fit these crimes? This is a tangent, of course, to the more frightening reality that this is how the GOP might look in a couple of years of their lead candidate becomes president. He’s many times demonized certain immigrants and democrats in general - once retweeting “The only good Democrat is a dead Democrat.” I’ll bet the average German in the 1930s and early 40s didn’t think anything like the Holocaust would ever happen there. This is a warning - we can’t get comfortable with this rhetoric.
I described this movie's horror to those who didn't see it or even know what it was about as, "the banality of evil". The entire film shows the common, otherwise uninteresting day to day routine of people living right next to some of the most heinous atrocities ever perpetrated on human beings, and they don't even react to it. The constant roar of the ovens is ever present but has just become white noise to them. It's very disturbing without ever being overtly disturbing. Under The Skin is also very disturbing in somewhat the same way.
Waiting for a BGD convo. Ty for your work
“BGD”?
@@Nathanatos22 Brendan graham dempsey. Metamodern
That's the way it goes, in this factual system of things; the horror of the absolute indifference of anyone to anyother is not a exclusivity of colective events, no it happens all the time everywhere on earth...
This movie disturbed me in a way I've never experienced before. It was just so terrifying without anything scary ever happening on screen. I have no idea how the filmmakers pulled this off. The sound design is absolutely genius. This movie is somehow one of the most unsettling movies I've ever seen. The soundtrack, especially with those booming wobbling sounds, was so shocking and terrifying. The invertes black and white scenes made it all the more disturbing. It was unexpected. There were so many scenes where I only realized what was actually going on when the scene was over. Like the gardener pouring some powdery substance over the plants. I only realized several seconds later that that substance was human ashes. This movie is so detailed and particular. I truly believe it is a perfect film in its execution.
"It was impossible for the actors performing or the cinematography or editing to react to Film 2 because it didn't exist when Film 1 was being made." The use of "didn't exist" really puts a bleak lens on this already disturbing film. To the family, it's not even that they didn't care or were desensitized. The reality and gravity of the situation simply didn't exist to them. That's chilling
Zone of Interest was devastating. I had to stop a couple times as the unseen horror, those awful sounds on time of this disinterest was just devastating. A fantastic movie I have no interest in ever watching again.
Omg where did you get that Boy with Apple painting that's the coolest shit I've ever seen
The most unnerving thing about this film is how content the characters were with continuing to live the way they were---and how people today who commit great atrocities continue to act with this callous disregard
these videos calm my stomach aches
One of the greatest films that I never want to see again.
Did I hear it right that the lady's mom questioned if a lady she used to clean houses for was possibly in the camp? Like this whole family was lower class to begin with, dad lucked out and got a "good" job that gave them status, and now they see themselves as above everyone in this war...?
thanks, very interesteing
This and the companion video on Nebula gave me a lot to think about with how atrocities are or are not depicted on screen. Great work as always Thomas
Haunting.
For me, this is one of the best movies of all time exactly because of the sound. In my review I wrote the same thing you said in this video: it is more haunting than most explicit Holocaust movies because of the banality of the protagonists' lives and their lack of reaction to what we all know is happening on the other side of the wall. It's a horror film seen from the perspective of the monster and entirely filmed in his free time. Also, the last scene, alternating the stairs with the modern day museum being cleaned was a touch of genius. It shows the scale of the massacre these people helped execute while still keeping the documentary and banal tone. The more I think and learn about this film, the more I admire everyone involved in its making.
Gonna finally watch this movie today
i just watched this film a couple of days ago and searched for your video right after i finished it. im so happy to see this on my home page 😭
An excellent analysis Thomas. Every second I thought about the people in Gaza suffering genocide as we carry on with our lives with their suffering an ambient "noise" in the background.
Favorite movie of last year
I saw this movie in ealry february and it Still in my head😮
Watching from the UK, the camera placement felt like an episode of Big Brother.
It was intentionally documentary-like. They set up hidden cameras around the house and didn't tell the actors where they were.
I hated watching this movie, also I thought it was one of the absolute best movies of last year ( only behind Past Lives and possibly Godzilla Minus One and Spider-Verse 2) It's masterful. I hope to never see it again and I doubt I'll ever forget it.
kinda insulting to put it behind spiderman and godzilla lmao
Why? They are two of the most acclaimed movies of last year. Have you not seen them? Are you the kind of person that sees animation and assumes second-class filmmaking? If so that says more about you than the quality of the films in question. Minus One was excellent and has justifiably been raking in accolades, it has a ton to say about very real and very human problems.
Begin noticing this in most movies: No one ever closes a door!!
While I appreciate Oppenheimer and recognize that it is a good film, I feel Zone of Interest is one of those rare films that transcends excellent cinema and becomes rare art. It is a devastating and quite necessary statement on the banality of evil and the failings of humanity. I would have given it Best Picture.