Behind the Magic | The Visual Effects of Netflix’s Red Notice
2022 ж. 6 Қаң.
40 633 Рет қаралды
Check out this exciting #VFX reel showcasing some of our work on @Netflix’s #RedNotice.
An FBI profiler pursuing the world's most wanted art thief becomes his reluctant partner in crime to catch an elusive crook who's always one step ahead.
Director
Rawson Marshall Thurber
ILM Visual Effects Supervisor
Craig Hammack
Aleksei Cernogorods
ILM Animation Supervisor
Zaini Mohamed Jalani
ILM 2D Supervisor
Walter Gilbert
ILM Executive Visual Effects Producer
Jeanie King
Laurence Berkani
ILM Visual Effects Producer
Brian Barlettani
Josiane Fradette
i really didn't notice, that the cars were vfx. holy.... great job ILM.
Everything can be filmed on a green set. And I mean everything.
In the first place you will not notice it. But when you watch most of Nolan films, most of his films are not CGI and you can differentiate and see clearly that most of films today are CGI.
Most outdoor scenes, instead of sending cast and crew on location and waiting and hoping for the perfect weather, are now CGI. As are large space interiors.
i noticed
I always wondered how the drone shot transitioned so smooth and they just turned it to CG after the dive
These guys' work is so photoreal, the only way you can tell it isn't real is with the camera work. Time to get back to my V-Ray tutorials
It might be more amazing in these breakdowns to reveal what ISN'T CGI to be honest - stuff looks great though!
Yeah, I'm very curious what that opening plate looked like with the Rock and the agent walking into the building.
@@megamoze All CGI. Simply actors walking on a green set.
@@mikebrady2073 Wow, I will miss the practical effects.. I usually don't see much of it in modern day movies
@@nimislaknumis4615 Tom Cruise would like a word...
They are the best in the business
Cheers to everyone who was looking for that hidden cut in the first city drone scene...
Love ILM. Love these types of videos! I have explained how a lot of this stuff gets rendered to my friends but being able to show them the different layers and how they compound together makes the explanations so much clearer! TYVM!
Oh my God! It blew my mind! I thought the first scene in the city was shot practically)
most of the city is practical
That opening drone shot… damn 😳🔥
I really thought in the first scene what a cool drone flight
Those cars were CG, damn!
Visuals are well done. Great job.
What I take away from this. "First there's some green foreground stuff from the set, then much grey background stuff out of our computer and we make it look good together. And sometimes all the stuff is grey stuff. That's pretty much the process."
It's amazing how they do that.
incredible job
Amazing👍🏻
Mindblowing job
HAHA. That first "drone" shot totally had me fooled. LLAP
I love ILM
Man i really thought rhose cars were real. Good Job iLM
Awesome!
WOW! Nothing more to say!!! Just WOW!!!
Great job by ILM of course, but so much of this seems like it could have been shot practically....
They couldn't shoot on location due to covid for some parts.
@@johansugarev the opening shot as well, where they added the structure - why was that even necessary. Coming from a perspective of it seems that these days film choose to use VFX when they don't really have to.
@@TheJayant98 I think it's cheaper to do cg, than to shoot on location. To shoot on site can be cost effective if you already have to do a lot of shots in that location and there could be a lot of moving pieces involved - just think that you have to provide logistics, food etc to all the people involved not just the actors and that could cost a lot of money. But on the cg side, the assets needed can be outsourced very, very cheap (i talk from experience). All they have to do after it's the lighting setup , integration and composition, a job for 2-3 people at most.
@@johansugarev Skyscraper also directed by Thurber and starring The Rock was filmed the same way 2 years before covid, it's just an excuse.
ILM ❤
So what you're saying is that more than half the movie is CG? crazy work... I need to start polishing my vfx skills ...
95% is CGI.
They made this film for fun they take it easily ans break a Record of Netflix
Yeah, felt like that.
no Rocks were injured during the filming
So, Red Notice is mostly an animated movie.
0:03 Houdini ?
It's not a VFX heavy movie, I thought. How wrong I was.
What about the melting egg ?
ля ну браво
The 'invisible' effects you guys have created are sensational (some late 90s 'CGI' camera moves aside) I'm stunned to learn ILM (the best in the business...won back from Weta) did that bull fight sequence though, did you subcontract-out the compositing to someone else? It's *really* obvious and quite grating. When watching the film it stood out as a poor sequence, I'm sorry to say it!!!
Yeah ... It's just really bad ... Awful compositing ... Same thing happened when they handled the thor and hulk fight scene for thor ragnarok ... Also for few plates of wakanda ... what in the hell is happening ? ILM looks like a giant when it comes to starwars but sometimes their work gets to a beginner level .... I want my old ILM back ....
Green Screen - the Movie™
Wow the things you wouldn't think are cgi are! Wtf.
It blows my mind that those cars were fake. Just wow
Why didn't bahubali had this bull? It would have been even more entertaining. In India are we lacking talent? Or is it just the audience accepting anything what filmmaker do? Btw 90% vfx I am blown away by this.
Lack of money
Because in india they don't value the artists, most of them are paid less than minimum wage
What VFX? I only had eyes on Gal Gadot.
She is probably created by ILM. 😉
Everything is incredible and I had no clue so much VFX was in...but that Bull needed serious work. If it was due to budget that is understandable but I would have never guessed the unstoppable ILM visually designed that bull..terrible.
I must be the only one who finds all this unimpressive, impressed by the talent behind it but so much unnecessary CG in movies these days... The sense of achievement capturing beautiful images in camera compared to soulless pixels filling the space...
They couldn’t even get Argentina right, the part they show in the map showing it’s “Argentina”, is actually BRAZIL 🇧🇷
Jfc can't they just film Dwayne stepping out of a car!?
They did film him stepping out of a car, watch again; the shot transitions from the CG cars going over the bridge into the real cars pulling up outside the museum. The reason there's a CG car mapped over the top of the real one he steps out of is because of the transition from the live drone shot/CG bridge shot/real courtyard shot. You're going to ask why they had the CG shot in the middle at all; it connects the two disparate locations seamlessly and also allows for a dynamic and fluid one-shot to open the movie with a little energy and pizzazz.
Future of movies : Everything is VFX. Actors and actresses will have no jobs.