THE GRAY MAN | Directors Anthony & Joe Russo & Executive Producer Geoff Haley | ShotDeck: Shot Talk
2022 ж. 24 Шіл.
18 121 Рет қаралды
Lawrence Sher ASC sits down with the Russo Brothers and Executive Producer Geoff Haley for an in-depth discussion of their new Netflix Thriller "The Gray Man". From the logistics of shooting action scenes in the streets of Prague to planning coverage and establishing shots with FPV drones, the trio breakdown important moments behind of production that helped bring the story to life.
Subscribe today for more content like this!
Watch "The Gray Man" only on Netflix: www.netflix.com/title/81160697
Sign up for an account at ShotDeck, the world's first fully-searchable film image database: shotdeck.com/
Instagram: / shotdeck
Twitter: / shotdeck
Watching this before I see the movie
Absolutely Amazing. Proper BTS. I recommend ShotDeck to everyone in the Motion Graphics field.
One of the best ever interviews - and the fact focused approach is really appreciated.
so awesome
Love it! Do not know about this youtube chanel, I paid a subscription to shotdeck and i'm going to participate on the contest!
Can't wait to see your recreation!
Great interview and discussion! Looking forward to watching more of these.
LOVED this! Thanks for such an incredible resource to use, Larry!
I really enjoyed this movie and in part, I really hope Netflix returns to making good movies/series instead of focussing on including ads. Good story, good characters, well executed. I found the drone shots okay personally, at times a bit contrived, however, much like introducing any new tool visually, more common use of it wil not be as refined. But again, I really really enjoyed this movie and I hope to see more of this.
Wow, the industry is already using ShotDeck for their own analysis and resource for color, style, frame, etc. Congrats on that!
I actually could not finish this movie. This over the top, ridiculously unbelievable genre is a sad turn IMO. Why can't they just take it down a few notches toward mildly unbelievable ?
Wow. Did you delete my comment?. Here is another fact... I am just watching the movie and those drone shots are "very shaky". The drone shots in "RED" with "The Rock" in it looks smooth. But not in this movie. The budget was 200 plus, right? I think you should handle some comments on KZhead when a nobody like me is writing something about the camera work.
Ever thought it was intentional?
@@tazistarfire did you saw it? It just looks distracting. And it was not done in post. It looks weird and it is very noticeable. And I have to add that I find the editing decision also strange. Even in quiet and slow scenes it was cut too often and hectically. I remember a scene with Ryan alone in a bathroom having some flashbacks. Which is fine to cut to the flashbacks. But before the flashbacks are happening there are so many cuts. Cut to his face, his scars, his cloth, back to his hands, back to his face, hands, cloth ... over and over again. Once rule is to tell something new with every cut. No repetitions. It reminds me of "Liam Neeson jumping the fence" from Taken 3. Making a movie is hard work, but if you are on top and spending so much money, I don't get the shaky camera and the editing part. And everyone in the room is saying: Yes, looks good to me.
@@allenpayne9182 I did see it but I personally liked it, It all comes down to preference. Same conversation when we get into handheld over steadycam
@@allenpayne9182 I did see it and I personally liked it, it all comes down to preference. It’s the same conversation between handheld and steadycam