Beethoven: Romance No. 1 in G Major Op. 40 / Academy of St Martin in the Fields, Tomo Keller

2022 ж. 8 Қар.
23 493 Рет қаралды

Beethoven's Romance No. 1 in G Major, performed by the Academy of St Martin in the Field's leader Tomo Keller at the Konzerthaus, Berlin in December 2018.

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  • utterly beautiful

    @yjhong78@yjhong78 Жыл бұрын
  • Stupenda musica amo questo tipo di musica ,favolosa un salutone dalla Sardegna 👏👏🇮🇹🖐️👏

    @eugeniamandas9453@eugeniamandas9453 Жыл бұрын
  • Magnifique 👍👍👍❤️

    @suzannepereira8734@suzannepereira8734 Жыл бұрын
  • J'ai eu la chance d'entendre hier soir l'orchestre, ce fut juste merveilleux dans une église rempli à Colmar, Il y a une vrai harmonie dans cet ensemble, avec un amour pour ses pièces jouées, bravo, j'espère qu'ils reviennent à nouveau à Colmar

    @JulietteCharlie@JulietteCharlie10 ай бұрын
  • So beautifully played I enjoyed every note! Thank you!

    @e.conboy4286@e.conboy428611 ай бұрын
  • Que belleza està orquesta, magnifica y la conozco mucho. Gracias a todos 🎄🎻🎄🎻🎄

    @montsepeiro1296@montsepeiro1296 Жыл бұрын
  • Maquisim David i orquesta 🎄🎻🎄🎻🎄

    @montsepeiro1296@montsepeiro1296 Жыл бұрын
  • Romance for Violin and Orchestra No. 1 in G Major, Op. 40 is a work by Ludwig van Beethoven. The composition is based on a single movement marked « Adagio cantabile ». She constitutes an important preparation for his violin concerto. Beethoven's reputation as a pianist often obscures the fact that he was a very capable violinist. Although not an accomplished master, he possessed a profound love for and understanding of the instrument, evident in his ten violin sonatas, and numerous quintets, quartets, and other chamber works. This Romance is not imbued with sonata-form characteristics, but with rondo. The theme of the rondo is in two parts, each performed first by the soloist and then repeated by the orchestra, which is relegated to a purely accompanying role, creating unity by including figures from the rondo. The piece is illustrated in lyrical main themes which alternate with more extroverted sections. In both cases, the emphasis is on expressive grace, with development through embellishment and elaboration rather than motivic dissection. *Lucien*

    @LucienMarine@LucienMarine9 ай бұрын
  • Marevellos escoltarte amb Aquesta tan maravellosa que he tingut la sort d’escoltarla fa anys. Quina música David. M’emociono i perdo el Gil. Impresionants i un peto per tu molt especial ♥️♥️♥️

    @montsepeiro1296@montsepeiro1296 Жыл бұрын
    • Gracies, sois maravillosos

      @montsepeiro1296@montsepeiro1296 Жыл бұрын
  • Let's share some more Christmas gifts suggestions for the beloved ones, music happenings & tickets for concerts, let only music rule the world fans & let it sound just this good 🍾🙋🍀🙋🎿😍💐🎿🍾🥂🎁👏🌺👍🥳👍🥳🎂🥳🎂🎻🎻🎂🎻🤗🎂🎻🤗🤗🎂🎻🤗🤗

    @melaniamonicacraciun9900@melaniamonicacraciun9900 Жыл бұрын
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