As one of the world’s greatest ever songwriters, Paul McCartney hardly needs to be recognized as a great bassist too, but he is!
This is a man who changed the course of popular music, and took bass guitar playing to a completely new level.
On the heels of the “final” Beatles single, we take you on a Magical Mystery Tour through some of Macca’s best bass lines.
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Video Breakdown:
00:00 - Introduction
00:41 - The Basses (Rickenbacker/Hofner/Jazz Bass)
02:17 - 01 - Dear Prudence
04:43 - 02 - Day Tripper
06:37 - 03 - Something
11:39 - 04 - Come Together
13:16 - 05 - Taxman
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What makes Paul so good isn't his technique -- it's his ideas. A brilliant composer who composed brilliant bass parts. That puts him in a league of his own.
Lyrics, music, sings. Trifecta.
I agree 100%. He is a master of melody, and when you apply that gift to the bass, the results are just magical
Beatles is the most overrated band ever
Exactly, Nelson. Speaking as someone who was around when the Beatles first arrived on the scene, what set Paul apart from almost all other bass players - and what "caught the ear" of bass players at the time - was his ability to craft great riffs, or a great counterpoint, to a melody. As Nelson rightly says, this is almost certainly because he was a songwriter as well as "just" being a bass player. At the time (early 1960s), Paul was more-or-less the *only* guy doing these things in the "pop" world, though obviously jazz (with a small J!) bass players had been doing this for some time previously. We're all so used to hearing those "melodic" styles of bass lines nowadays that it's difficult to convey how much of a bombshell McCartney's stylings caused back then.
@@bendagostino2217 The plaudit was about PM as composer and bassist. Lennon was composer and, primarily, rhythm guitar
Paul is one of the most influential bass players who redefined the role bass can play in a band.
lemme guess you also think tonewood is a thing
@@carsonblakley5554 Gimme a P bass with flats every single day! That's all the tone I need. 🙂
he didnt do much most of the times lol
@@sebg2086 😆
Says who?@@sebg2086
Not only only a great player, but an incredible songwriter, who writes bass lines that are melodies on their own. You can easily recognize a Beatles song by hearing just a snippet of the bass!
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Every part was a hook by itself,lol
Same bass genius with "The Wings" . Listen: Daytime nightime suffering, Another day, With a litle luck, goodnight tonight, Winter rose, Mamunia, Morse Moose and the grey, and many other !...
And awesome singer!!! His vocal range in the 60s and 70s was among the best, yet no one gave him credit for it.
@@andreatockyea,and " If I Fell" duo is a killer.
What I admire of Paul most is his freedom to do odd things just because they sound good. We analyze/justify them later as these genius movements (like playing the b7 of the chord and walking down to the root), but I doubt he ever thought of them like that. You can tell he's just a great listener for bass melodies and doesn't allow himself to be constrained by what the bass "should" do. I think Ringo is also under appreciated for the same habit of putting his musical instincts over his learned knowledge of what the expected role of his instrument is. As someone who's put a lot of time learning those roles, I struggle stepping out of it when it's called for but learning these bass lines are a great inspiration to think outside the box and give yourself permission to do something different.
Paul is the best because he approaches his bass lines as a writer as much as a player. If you don't think of your bass lines as compositions, you're missing a huge opportunity.
I was the "Paul" in a Beatles band for many years and I learned SO much and got so much better during that time. His bass lines are wonderful and singing and playing many of them took intense practice. The bass on Something is a brilliant piece of music on its own while in songs like Paperback Writer, the bass drives the entire song. I think that Paul isn't given enough credit for his groove either. The bass on Baby You're a Rich Man is slinky.
white album Paul is just pure excitement to listen to. the Rick is there to steal the entire show
Faul!
And to think George claimed to prefer Willie Weeks!
I was too! The Word, Drive my car, so much fun to play while singing.
@@gkmacca1Lord! George had issues with Paul (obviously). He seemed very resentful. So sad that both George and John slagged Paul off so much especially once the group disbanded.
The bass On SOMETHING is pure ART!!!
I've always loved McCartney's bass playing, so inventive and melodic and they are one of several things that lifted The Beatles away from any other band. And the fact he sang lead vocals and played these lines is phenomenal. He's certainly not underestimated by me. A truly great and gifted musician, multi- instrumental, vocalist, performer and songwriter
That hollow body Rick is insane. I WANT ONE. The bassline on "Something" is so amazing that I made my band put this tune in our rotation. Paul's variations within it are subtle and fun. George's solo is pretty neat as well. One of my favorite tunes.
Never too late to hunt a 4005 down!
George hated Paul's bass line in Something and asked him to simplify it. Paul, being Paul, refused. Bass players love the Something bass line because they get to feel like a lead player for three minutes, but I hear it as a raised middle finger from Paul to George. I defy anyone to name a slow McCartney ballad where he plays a similarly complicated line. His go-to for his own slow ballads was playing roots almost exclusively. (See, e.g., Here, There, and Everywhere.)
In '81, I naievely bought a '69 Burgundy glo 4005 as the 1st owner...longer story. As I already had a 4001, i preferred it and the 4005 sat. Then life happened. Years later I started dragging out the old equipment to realize I had a unicorn! That fireflo is beautiful, happy to see it played - are the strings roundwound or flats? And no, the burgundy is not for sale 😁
@@jotcarey Actually, Harrison griped to George Martin that the bass line was too busy and he didn't want to use it. Martin thought it was fantastic and asked George to take a tape of the song home that night and listen to it again. Harrison came in the next day and agreed that they should keep it. This was told in an interview by Martin himself. Paul often created his best bass lines for his bandmates. On the same album, he also composed an amazing bass line for Come Together. Try not to always assume that Paul is a bad actor in these scenarios. Paul was always there for George on songs like Taxman, WMGGW, I Me Mine, Here Comes the Sun and Something giving his best effort. Listen to the deconstructed version of Something and how beautiful George and Paul's harmonies were. Also, he probably had more time to create unique bass lines for his band mates songs than for his own songs because he had nothing else to do for that song. On his own songs he would be writing the song, singing lead, playing piano, playing bass, etc., so he had less time to focus on just bass.
It's off the scale great sounding but for me personally it's almost as ugly as the solid body Rick. Looks ain't everything 😉
I hold him as number 1. His bass lines strike a perfect balance of cool, fun and tasteful. And just as a bonus he's also the most influential musician and composer of all time in popular music. That some bass players (very few, but still) slags him off is beyond me.
They misguidedly think it's only about technique. (Looking at you Davie504.)
My favorite Paul bass line by far is Rain. So much groove. Almost a lead bass. Also, honorable mention, Baby You're a Rich Man.
Hundreds of incredible McCartney basslines during and after the Beatles.
I always say: Paul saw the preciousness that would be "Something" and thought, 'I'm going to make the best bassline of my life.' It's great to hear from someone else who thinks it's one of his best too. I can listen to the song almost just following the bass and get emotional. It seems like he never repeats anything, it's always different. If I'm not mistaken, with George's song, he even asked Paul not to embellish too much, but seeing what he did, there wasn't much choice
I can't believe he's underrated. He's easily in the top 10 greatest musicians of the last 100 years. I know this is a bass channel and most people here will fawn over Jaco etc. But I'll take an easily playable but immensely incredible melody over lightning fast tapping and slapping every day of the week.
Such a great tribute to the master pop rock bassist/singer/songwriter of all time! His bass line in Taxman is brilliant, but you left out the bridge section ("If you drive a car I'll tax the street"). PM goes above and beyond what is expected while never getting in the way. That is a mark of his genius.
"She's so Heavy". Paul crushes it.
When I play through a Paul/Beatles song..there is often a point where I say to myself..."Well isn't that a nice little surprise there". He is just amazing.
Almost EVERY Beatles song has "a nice little surprise there." Beyond amazing!
He is an absolutely phenomenal bassist...his phrasing and sense of melody are impeccable! His walking lines, no doubt created in the spirit of Bill Black and "the bloke who played on all of the Motown stuff", are exceptional as well. And we thought he was just another pretty face...
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phenomenal lol relax
James Jamerson is the Motown bassist
@@artistaccount During the 60s McCartney did not know his name.
Critics fail to factor in that Paul's bass was the low end foundation providing the most solid structure for the band to pivot around. He knew when to provide space for the song to breathe and then bring the bass in and make the contrast sound even bigger or knew when to support the groove , play in front ,thicken the guitars or play melodic lines ,walking bass lines etc. Hey Bulldog is just a bass masterpiece that propels the instruments,drums and vocals.
His bass playing on "A Day In The Life" or "Hey Bulldog" is also really great!
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I want you (she's so heavy)
Lady Madonna too...
@@andreatock no you didn't 💀
Hey Bulldog! is the best!
Great video. It requires a part 2. Paul's bass genius runs way deep.
I think the bass part on Something is one of the most inventive bass parts in the history of recorded music. Every guitar player I ever discussed this with thought it was too busy. George himself said the same thing well after the release, but didn't feel comfortable enough to be insistent on simplifying it. Paul later confirmed that he recalls George having that opinion. I can see both sides, but it just so amazing to me. Beautiful melodies, very supportive despite the quantity of notes, very thought provoking, and so very personal and intimate as a true McCartney line. I still choke up every time I listen to it. Of course, it helps a LOT that the song is one of the greatest compositions ever. Sinatra called it the greatest love song ever written. An George's singing is gorgeous on it.
Paul’s “Wings” bass lines are underrated. People only talk about his Beatle stuff.
It’s all great for different reasons
That'll because of JET.
@@alexjames1146 Jet? Nothing special about that one
Band on the Run and Wings at the Speed of Sound make me rejoice Pual learned the bass
While it’s nice to hear the recognition for the same batch of songs from his Beatle years, his genius didn’t stop there by any stretch. The grooves of Goodnight Tonight, Coming Up, Silly Live Songs, Let Me Roll it, Mrs Vanderbilt, My Brave Face my god you can go on and on and on.
Dont forget about i want you
Yes! So many incredible basslines AFTER the Beatles!
@@BeatlesCentricUniverse seriously, it's a shame these retrospectives flog the same songs, even if they are brilliant, he still hasn't stopped putting out amazing stuff. The 'Egypt Station' album is filled with amazing bass work. And the bass in 'Now and Then' is sublime.
The bassline to Come Together alone is enough to establish his genius.
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Paul McCartney is the most important bassist in the world, more than any bassist especially the 'technical virtuoso' bassists, including who was ever been in your channel. Because how he contribute to a song/record/in a live situation, is the most important thing a bassist should ever do more than anything else. Everything, the play, the sound, and all. I think your channel should interview him as a very special edition video for your channel somehow, especially while he is still healthy now. I wish Paul McCartney will stay healthy for a long time but we know he's already very old now.
Love Mr. McCartney! So melodic and never boring. Iconic, not under rated.
*Sir McCartney ;)
Not just a great bassist, but an excellent singer as well. Probably one of the earliest blueprints of "singing bassist".
I've never had the impression that Paul is underrated. Pretty much everything he has done, musically, is rated highly. Anyone with an ear for bass can hear how his gift for melody and unique songs can easily hear how good he is.
The 2 of you playing chords on one bass and a bass line on the second bass sounded very musical. Bass can do alot!
💯💯💯 The instrument is capable of a great deal!
Just amazing! The voicing Sir Paul uses is mind blowing 🤯 😅
My all time favourite bass player, I always say that I learned how to be a good bass player from trying to learn Beatles bass lines, I can honestly go on and on for hours trying to explain all of the genius things he did, and I still won't be able to tell you all of it
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The two of you are so great together! Love the positivity and good vibes ❤
Cheers, glad you're enjoying the content!! 🧡🧡🧡
8:59 that’s my FAVOURITE part of being the bass player in the band. ULTIMATE POWER indeed!!! 😹⚡️💪
Obviously, Paul has so many great bass lines...tons. I would have loved to see "Rain" in this video. There's so many scrumptious, and tricky, bass licks in that song. Regardless, awesome video and homage to one of the greats of all time!!!!!!!!!
The other lovely thing Pauly does is that he often changes up the bassline from verse to verse. So what he plays on verse one is slightly different to what he gives us on verse 2 or 3. Such a tricksy little genius!
As a life-long beatles fan, I learned to play guitar and bass listening to Beatles records over and over again. Drove my dad crazy.
The Beatles were the very first band I got into when I first began learning guitar as a kid (started at age 10 and I’m 24 now) and they’re still one of my absolute favourite bands, George Harrison was my first major influences on guitar and Paul McCartney is one of my absolute favourite bassists (I started playing bass in high school, which was my main instrument in our school band) and a reason why I bought a Rickenbacker 4003S back in the summer of 2020. He’s also undoubtedly one of the greatest bass players of all time so I wouldn’t say he’s underrated in that regard, but I would say that the most underrated part of his playing is the way he composes his bass lines to fit the song. Absolutely bloody beautiful, love live Macca and The Beatles
Please tell me more about how Sir Paul McCartney of The Beatles is underrated
As a bassist, he is underrated. People often talk about The Beatles, people often talk about the songwriting, they don't really talk about what a great rock bassist he was/is.
😂 tbf, he was talking about him as a bass player. although, i would argue he's not underrated in that regard as well.
@@thekjpacinowhat bass nerd says he’s their hero?
@@shirtpants4203 Me to be fair 😂 But not all that many people, considering how good some of his bass lines are, not even nearly enough recognition for his playing.
I've heard plenty people talk shit about instrumental abilities of all the Beatles. Used to live with a roommate who was a jazz bass player and when I mentioned Paul being one of my favorite bassist he pretty much laughed at me.
Apart from the allknown fact that McCartney's Basslines and the whole Beatles compositions are unique, timeless and incredible, it is very lovely to hear how you both play these things on two basses! Very impressive and nice!
Great video!! ❤ By the way, George wrote ‘Something’, and was very against the “complicated” bass line that ended up in the album. He wanted instead a simple bass line, so the bass line here has nothing to do with George, its pure Paul
was absolutely wrong and envious of the fact that it is too memorable and attention catching lol
actually, Paul intially played an even 'busier' bassline on Something and _that_ was the one the George vetoed. George was fine with the bassline that they ended up recording. And you're right in that it was 100% Paul's creation - as were all of his basslines.
Well regardless, it’s probably his best bassline
@@pixiewings21_9 George wrote and played the bass line on Oh Darling!
@@pixiewings21_9 As far as everything I've heard over the years, this is correct.
Paul McCartney is a genius musician, or a Maestro if you will, not just a bassist.
Scott's Bass Lessons just always make me want to go and pick up my bass and start playing! Brilliant retrospective of one of my all time favourite bass players and musicians. Because Paul was so many other things I think sometimes we forget what an iconic bass player he was.
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The bass line in Dear Prudence has sat in my subconscious ever since high school when the white album came out. Really brings back memories.
Your videos aren't long enough guys, I was playing along with you on my Yamaha six string Classical and had fun.
Thanks for this dive into some of Macca's genius. BTW, legend has it that Harrison objected to the busy bass line on "Something," but somehow it stuck, and we're all thrilled that it did.
Came here to say just that. It’s so telling that Paul’s instincts were so strong that he actually made George’s (admittedly great) song even BETTER.
@@herbstcasting Wow, GREAT comment!
It was 1964, in Dallas, my Mother had divorced my father. We were living in a duplex, Mawmaw next door. Mom call hurry kids out the back door. The Beatles were debuting on the Ed Sullivan Show. My love of the bass began. At 62, bought my Squire Jazz. Enjoying the journey. Now a member of the band at church. All thanks to Sir Paul.
My gosh Paul is my number one favorite bassist who got me into bass playing and musician the first place.I could listen to his bass lines and any of his records the whole day.He plays with such a warm and smooth tone despite whatever bass and gear he uses.His bass lines are also very fundamental and simple which is really what a baseline is supposed to be! Thanks for the video y’all!!👍
Scott and Ian, you guys are great, and your videos are fun! Paul's playing is unreal, and he's such an awesome singer too.
Spending an afternoon with you two would be absolutely incredible!
Love Sir Paul McCartney-he was an absolutely HUGE influence on my playing.
You guys nailed it and work well together breaking down classics! And I agree Paul is one of the most underrated bass players and I learned this years ago when I learned the song Something from the magazine “Guitar Players for the Practicing Musician”and realized his amazing talent and outside the box brilliance.
Great video! Was hoping to see/hear the bass line in "I Want You (She's so heavy)! Great chemistry between the both of you! Cheers!
How on earth is Paul McCartney's bass playing underrated? His bass lines were curriculum when I was at Berklee College of Music, and I wasn't even a bassist - we were taught his bass lines in our ear training classes. The man is supernaturally gifted musically.
such a joy seeing the two of you having fun just playing music, great video
I love the dynamic between you both, great content as always and very informative
I’ve always loved Paul’s bass lines, they are so melodic and memorable! On Something you did a little mistake on the last chords, it should be Eb G/D C. You can hear it clearly on the intro where the lead guitar plays the chromatic line Bb, B, C on top. Other than that, great video as always!
I grew up hearing various K-tel covers of Beatles songs in the 70s. It's only when you get back to the originals that you hear how Paul's bass drives the band along and is so essential
I remember our mom letting us play our Beatles records on our Motorola giant console thing before our dinner in the evenings...Priceless! The boys from across the pond started it all for me.
One word..”Rain” who was even playing basslines like then back then. Great video giving respect to one of the best melodic bassists of all time. He also can play upright as well.
One of Paul's gifts -- and there are so many, it's almost not fair to have granted them upon one dude! -- is his affinity for counterpoint. It shows up in so many places, both as a vocalist (e.g., "Help" -- the whole "Now.... these days are gone..." line beneath John's melody) and especially in his bass playing. He's so friggin' good at melodies that he hears a song's primary melody and his ears develop another that could be its own song but manages to *compliment* the original rather than overpowering it. George, who indeed did compose the extraordinary "Something," was said to have been concerned about Paul's work in the song, thinking it was too busy/showy. He might not have heard the benefit when initially recording. But as you all know much better than me (I am not a bass player), the song w/o the moving, melodic bass might feel slow and stodgy; kinda gloppy. (Sorry for using such technical musical terminology, lol.) The bass and Ringo's ever-tasteful drums keep things moving along without forcing the song to be overly complex, which would spoil its exquisite simplicity. And the vocal melody _is_ very simple--beautifully so, but simple, mostly within a range of six or so notes, and repeats often. (It's all the stronger for being so restrained.) As the melody and lyrics repeat, Paul keeps modifying the bass so it's never quite the same per verse. This offers the forward movement and background variety that keeps things new. You're asking me does this song grow? I *do* know--it does, thanks to Paul's genius bassline. The proof is in the pudding. It helped George develop "Something" from a lovely song to a classic.
I really enjoy hearing these bass duets; great stuff, fellas, thanks!
Rain is also another killer bass song. Love that one!
The fact that Paul started playing bass on an instrument that Stuart Sutcliffe wouldn't let him re-string for left handed playing says everything about his musical talent
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And he's still very good at rhythm guitar. The guy is a beast.
I can relate to that. I started noodling around on our bass player's bass when I was a keyboardist in a band ... and realized then that, although I'm mostly right-handed in my life, I was a left-handed bass player. It just felt more natural. So I started playing bass on an upside-down right-hand-strung bass guitar ... and still do to this day, decades later.
Thats what i like so much playing the bass in a band. You can make boring ideas from your guitarist so much more interesting.
Great video! Paul is criminally underrated.
I've always found it difficult to measure bassists like McCartney who is an amazing bassist, he truly had a knack for creating the perfect bass lines the songs required with other bassists like Stanley Clarke, Jaco Pastorius, or even John Entwistle. Their styles are meant for different purposes. Certainly, I've always thought of him as a master musician.
Thank you guys Such a delightful video Very enjoyable 😊
Loved this! Great stuff!!
SUBSCRIBED! I played bass for over 20 years on stage and grew up with the Beatles. A PERFECT channel for me!
Besides Paul McCartney being an amazing bass player and song writer. I have to say that I would really like to drink a beer or maybe 4 o 5 with Ian and Scott. These guys are so great to hear and they EXTRMELY enjoy what they are doing. Great video!
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Ultimately not surprising, him being such a great melodicist and composer that he'd great bassist as well!
You guys are the best. I'm learning a lot on SBL.
Loved this video, thank you!
Wonderful video! I love learning this stuff!
Always great vids guys! Thanks!!
Cheers!! 🧡🧡🧡
The one that intrigues me is All My Loving. It sounds conventional now, but I can't think of a bassline like it in pop music before it (1963).
+ he's singing at the same time.
Paul McCartney is my favorite bassist. And "Something" is my all-time favorite bass line. It's a masterpiece of counterpoint and subtle variation. It, and he, taught me that you can be melodic on bass without getting in the way. People often accused Paul of being too "busy." But busy is only bad if it's the wrong type of busy. I don't buy into "less is more." I think every song has a hypothetical "busy" bass line that would work for it. If the busy bass line you wrote isn't working, it's probably just not the right part. The reason Paul's lines work is that he often did the bass last. He would stay in the studio after the rest of the band had already left, listening to the song over and over and working out the perfect part. "Something" is played with a pick, btw. I'm not sure there are any Beatles bass lines that weren't. And yes, George Harrison wrote the song. But the bass line is all Paul's.
Paul's baselines are never too busy. He can still sing while playing his busiest bass lines, so.. He can play Goodnight tonight or Silly love songs bass lines while singing impeccably and phrasing independently.
Actually, I've read on an interview, that on that very bassline he was afraid he overplayed! 😅 He acknowledged he was so much into the song (which is simply amazing) that he got a little carried away and when the recording was over he looked over at George, thinking he was going to complain. But he didn't! Because yeah, what Paul did is simply amazing! How can you gripe over a bassline like that?! 😅
@@alessandroarcuri209 George Martin or Harrison
@@vecernicek2 maybe both, but Paul looked ad George Harrison, first 😅
This is just great video. Thanks, guys! You are great bassplayers too and know a lot of hsitory. When you show that you enjoy the music and the explanation is the best! 👏🏻✨
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Fantastic guys🙌🏽Thanks 🎵😎
Beautiful attention and respect for the details
Thx so much for breaking that down for us!
This made me smile, thanks guys x
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Paul also played drums on Dear Prudence. Another fav is the bass line on Here Comes the Sun with the time signature changes and triplets during the Sun, sun, sun here it comes...just great.
So cool SBL!
I love the baseline of Silly love Song when he was playing in Wings.
We actually cover that song in this video! kzhead.info/sun/htxmncqucHquaqc/bejne.htmlsi=Ay-1-Ben1HTkuAGB
I'm but a drummer, but I own two bass guitars, and when the bass player of my neighbors band is unavailable they ask me to fill in at practice. I knew Paul was great, but when we were gonna play Something and I really listened is when I GOT it!
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Thank guys, awesome breakdown 🙏
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I love this video without having started it yet. Paul can do it all.
Fwiw, Paul actually played the guitar solo on Taxman as well, and it is equally as cool and different to a normal guitar solo as his bass lines are from normal bass lines.
I just finished a 3 month long project where I had to teach a school band how to play some of these songs for a school musical.Figuring out the bass was a revelation for all of us, wish this video had come out sooner!
I never thought he was underrated but I guess if someone is infinitely genius we can never fully appreciate it lol
Amazing content! Love when you guys get together!
Cheers!!
Great video
Shout out for the baseline in "Don't say goodnight, tonight", I think it's a knockout ❤
I started playing bass guitar because of Paul McCartney, the part that impressed me the most i saw her standing there
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I have no words on how amazing this video is....maybe one ; cheers.
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Great video 🙂
Gentlemen: EXCELLENT TUTORIAL! I would like to add an observation: as an original BeatlePeople from 1964, and a musician from 1963, I grew up with The Beatles as my musical guides. Now, in all those years, I have never heard of anyone relating this simple fact: Paul McCartney has NEVER BEEN A SIDEMAN ON THE BASS! Unlike 99.999% of every bass player now and then (😉), he was a front-person in his first group, The QuarryMen/Beatles, as a guitar player, switching to bass when Stuart Sutcliffe left, and neither John nor George wanted the position. Hence, he developed his style of playing to fit his front-line position; he never had to adapt to what the band wanted or a band leader requested (or demanded). Thus, he played what he thought the song needed. His ears and musicianship was his genius!
Paul is my favorite bassist and maybe songwriter and inspired me to start playing
Taxman. I realized one day how funky that bassline and song really are.