The Series Every Photographer Should Be Watching.
📷 Watch Ripley on Netflix: www.netflix.com/title/81678765
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Video Breakdown
00:00 Intro.
00:57 Ripley & Cinematography Style.
04:11 Film Noir Lighting.
05:40 Caravaggio.
07:13 Angles.
08:09 Doubles.
10:14 Notes On Structure.
11:59 Outro & Bonus Tip.
Purple Noon by René Clément
www.criterion.com/films/27810...
Books mentioned in the video
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Under this guidance, I’ve created content which is guided towards the education, celebration and promotion of said photographs and photographers who have contributed immensely to the art of photography & filmmaking.
An effort is made by the presenter, verbally and through the usage of links (in the video’s description) to encourage the audience to explore the work presented beyond the video and engage with said content through books, articles and relevant links to each photographer’s own social media.
Therefore, I believe the inclusion of said images, footage and other sources can overall add depth and appreciation for the subject of the video whilst also enriching the visuals and dynamics of the it. All within what is within the fair use scope and KZhead’s policies.
The Series Every Photographer Should Be Watching.
By Tatiana Hopper
April - May 2024
#photographer #photography #photographylovers #learningphotography #filmphotography #streetphotography #ripley #netflix
📌 What other series would you recommend me and others? Thank you all for watching and supporting the channel!
Ingmar Bergman's films
Would love more about Film Noir :)
This will be a really different recommendation, but please check out The Last Emperor (1987) and also films of Tarkovsky :)
i know this is very far from the normal artist view but can you make a review of the new japanese movie Godzilla Minus One? i think its worth it!
Tarantino and Stanley Kubrick movies have been very inspiring for me personally.
Ive been a Pro for 35 years and I can tell you every single frame is a masterpiece
Even people that aren’t pro can tell, that’s the beauty of it, it unites people from all corners of the art world and non artistic people who just appreciate good visuals, that to me puts this show on another level. Especially given the type of audience Netflix usually has which is more general, thank you for watching Nelson!
@@TatianaHopper For sure. 100% - Thanks for replying - and thanks for posting your tribute film - good stuff
Thank you for taking your time to watch it 🙏🏻
Every. Single. Frame.
Wow, that looks so stunning! I already enjoyed the BW Film 'Vivement Dimanche' by François Truffaut in honour of Alfred Hitchcock. The criticism about the pace is typically US. The US pace was very well parodied 1988 by Rick Mayall in the episode 'California here we come' of The New Statesman, as the Hollywood producer that invited him to his party only had an attention span of 30 seconds. European films, especially art films, tend to have a slower pace.
I was just blown away by the cinematography. Every frame was a lesson in composition.
100%! Thanks for watching!
I had to edit my answer as I initially used the exact same words as you 😎.
Absolutely love the Ripley series and YES, PLEASE Tatiana, please make a video about Caravaggio! I also love him and want to learn how to use his Chiaroscuso style in photography. Thank you!
Perfect, another vote for Caravaggio, thanks for watching Antonio!
This is a lesson on black and white and composition, absolutely stunning and should be mandatory viewing for all students in the arts, also film makers definitely need to benchmark this masterpiece as an example of outstanding set up of lighting ,how some of the takes were lit what lens were used etc are worthy of discussion.
A brilliant bit of filming where every scene is lit and posed not just as a fleeting piece of video but as if it was a photograph to be seen in its own right. The black and white isolates the action so that there are no colourful distractions. So, apart from the acting and the plot, this is worth watching for the photography alone.
I am the journalist in Palermo that shoot the flash ! 8 seconds of glory in two scenes.
No way! Happy for you!
Even if you don't care about the story and acting etc (which is great anyway) this is indeed an excellent series for photographers. Every frame is a picture !!!
Agreed! Every frame is a picture should’ve been the title, thank you for watching!
The cinematography is superb , the mood , the styling so carefully thought out - what is not mentioned is that this book written in the 1950 s is the first book of this genre written about a sociopathic personality ( just finished the book ) so the way this has been created is so on point am sure it will win many awards
Interesting, thanks for your comment !
Brava. Agree with everything you pointed out about Ripley. Have to say, I find it interesting (and amusing) that the director and DP used B&W because they "did not want to create a pretty travelogue," yet that is exactly what they did, but with much thought provoking weight. Also, maybe it was just me, but I felt en Escher-ness in most of the staircase, elevator, and hallway scenes.
Actually Ripley was shot in colour, the decision to go black and white was made during post production.
Ripley is a magnificent work of art from a visual point of view. I'm surprised you didn't mention the incredible dynamic range of the photography, it's truely unbelivable, in every frame we can find from pure black to pure white with all possible shades of gray and there is never, never any underexposed or overexposed area. How it was achieved is a great mistery to me. Thanks for this video on this beautiful movie!
Thank you so much Lorenzo for the added info and for watching, peace ✌🏻
It was shot on an Arri Alexa LF = Large Format. 14 stop dynamic range
@@agylub I thought it was even higher, anyhow images are truely astonishing. Thanks so much!
Do you think HDR is possible in taking movies and if it was used?
@@lorenzo.n they used a 14 stop dynamic range camera - that is HDR
I was riveted and binged right through, starting on the day it was released a month or so ago! The photography was incredible in all shots indoors and out. The references to Caravaggio and Leica seal the deal, that this is a film that's as much about writing with light as it is the the story it tells, superb in all aspects.
That show is one of the best I've ever seen. It's a free masterclass of cinematography. Thank youbaouxh for that video, Tatiana
Agreed, it’s a free masterclass indeed!
When I watched it I was blown away by the film noir look and fantastic staging of scenes, the lighting etc. the Director of Photographer should be credited to the max
💯 thank you for watching!
he actually won the best cinematography oscar for There Will Be Blood
They absolutely nailed this series. Not only superbly shot but incredibly well acted. 10/10 from me.
Ripely is a visual masterpiece, every shot carefully crafted and put together. I couldn’t stop watching it. If you haven’t seen it yet, watch it.
Yes exactly as soon as I watched it I definitely wanted to see where it would go because visually it was so beautiful
@@TatianaHopper Agreed. Thank you for the amazing breakdown.
Thank you for the hint. The camera work is exceptional. "Attention, sparks and banging noises." (Rainman Ray)
Sensational cinematography that was a pleasure to watch. I almost want to watch it again without sound. As far as the pace of the film - I feel it perfectly matched the deliberate pace of Tom's transition into Dickie. Modern viewers tend to be too eager for fast action. Ripley, on the other hand, required the viewer to be involved and to pay attention. Thanks for this video, and for the Nosforatu reference. I missed that.
I've watched Ripley twice already, and I'm watching it for a 3rd time now. Each time I watch it I discover something new. As everyone is saying here in the comments, the series is a photography masterclass. I was blown away from the very first scene, and kept talking and talking about it to anyone who would listen. A masterpiece. I envied the man who went around Italy and New York looking for places and frames to shoot from. Amazing.
Ripley was so great! And I’d love a Caravaggio video. “La luce, sempre la luce!”
Agreed! Yes I’ll probably work on a Caravaggio video soon!
@@TatianaHopperOn the press tour for Ferrari, Michael Mann and his DP Erik Messerschmidt frequently referenced Caravaggio as an influence on their approach in various interviews.
Will watch it over the weekend, thanks for the beautiful analysis!
So glad you highlighted this Mini-Series. I hit pause hundreds of times to take in the framing, composition and beautiful black and white.
Same! I loved Ripley hope the filmmakers can work on more projects with this quality!
for all the ppl that have told me, 'i just don't get what your doing', i have been vindicated! 8 episodes of ripley is better than most photography courses...blown away
These 8 episodes are fantastic on all levels.
Couldn’t agree more!
Yes on the deep dive on Caravaggio! I find great works of art extremely influential in how I approach lighting when given the opportunity and time. I haven’t seen Ripley yet but am excited to watch it, thanks for the recommendation.
Many thanks for this review. Being myself a B&W photographer I enjoyed this series - just finished the last episode. A masterpiece! It is not just the use of B&W as you point out. The light settings, angles and specific moments - actually I would right away buy a book with the key shots of this series. My favorite being the cat ;-) besides the elevator. What a character. Please keep on your work. Greetings from France
I too would buy that book! Content with screenshots for now.
Yeah absolutely although I did mention angles and lighting techniques but didn’t want to take too much time with it because there’s so much to talk about ahah loved the cat shot too! Thanks so much watching, greetings to France!
@@TatianaHopper About the cat I love the unique licence about color in the show. The little footprints blood that the cat leaves on those eternal stairs. I Thought what that means.Just to make visible this little detail?
Ok. I loved this video and your views on the way it has been filmed. As I person that does not watch many movies, I am intrigued by this series and may actually give it a watch. I love the lighting and shadows, and that it’s in black and white. The angles and framing look very powerful and your images of them are a lesson in framing that would help any photographer with their art. This is one of my favorites. Thank you for presenting it so well and your insights. I will definitely be watching this one again. Take care my friend. 🙏✌️❤️
Thank you so much Joe! Definitely if you have the chance give it a watch, honestly a great source of learning. Hope you’re doing well, take care my friend! 🤍
Dear Tatiana, thanks a lot for your thoughts and outstanding presentation of the series. I totally agree that this movie is photographed so well!!! I think with lighting and mood all in b&w works so well together with slowness of the film and the absence of dialogs for ~10 minutes or more. This makes it really shine and transport the mood so perfect - although one has to get into it. But if you do so, you are torn into, i believe. However, I think Ripley is not a true "Doppelgänger" as if so he would need to look like Dicky (at least this is the German meaning of it). Ripley is copieing Dicky's behavior and rather has taken over his identity, and that way Ripley is doing something that is more known today through the internet: he has stolen his identity, although today there is no need to murder someone to do so. Thanks again, and please keep moving triggering us.
Not only is the show a master class in lighting and set design, but as someone who’s read Highsmith’s novels and screenplays (e.g. Hitchcock’s Strangers on a Train), and seen the prior versions of the Ripley saga, I believe this by far best captures the tension and spirit of her tightly crafted fiction (Highsmith wrote a treatise called. Plotting Suspense Fiction). Not only the choice of B&W, but Italy and New York in the early 60s are brilliant mise-en-scene (even though 1961 is a few years after the original story - a great choice because Italy was becoming a style capital, including cars (great shot of a Ferrari in front of a hotel, btw).
I actually bought the copy of the book so I could start reading the series! Thanks for your comment I agree with what you said and cheers for watching!
@@TatianaHopper and thank you for the reference to Murnau’s Nosferatu- I’d missed that. I actually have more credentials as a vampire scholar than a photographer. Btw Herzog’s Nosferatu is also a beautifully shot and composed film, albeit in color.
Yes I watched it! I liked it although Klaus Kinski is super creepy more than Max Schreck was in the original! In my opinion of course.
Agree. The cinematography is incredible
Wonderful Tatiana ! 🥰 Keep up the good work !
Thank you so much! 🙏🏻
Thank you for recommending this movie. I wouldn't have watched it just because is black and white, and I prefer color, in general. The cinematography is amazing.
Cheers! In my own photography I first focussed on gear and spend hell of money with not much improvement. Then I made orientation on films I love especially from Tarantino and Stanley Kubrick and also some street photographers like Mullins I really like and I found my own style also using film simulations which reminded me to my beginnings when I first started my own photography journey back then in the 90s using a Canon AE1. This made my own photography better and gave me more creativity and also character to my photos and helped me to find my own style. I even made a short KZhead film. xD
Noir is thematic. It also is visual in how shots are framed. The subject many times is in the right foreground and conflicted characters are sometimes seen through “bars”. Bars from shadow or thru windows.
Stunning visuals.. Thanks a lot for this. ❤❤❤
Thanks for watching!
Great análisis you’ve made, and please yes, could you make another video of Ripley with more in deep analysis regarding photography techniques, for instance. thanks !!
Your analysis is brilliant and most succinct, made only more so by the excellence of the series itself. well done!
Absolutely. Fabulous cinematography. Each frame was a great learning.
Agreed!
Watched Ripley! Simply wow stuff! Thanks for the heads up on this one!
Thank you for watching Greg!
Excellent presentation. I’ll be watching that series!
Thank you Dennis, definitely do it :)
What an absolutely fantastic video, loved it thoroughly 👏
Thank you so much 🤝🏻
Looks awesome. Thanks for this recommendation.
Thanks for watching!
Thank you! Loving your insights.
Thank you for watching!
Ripley is a masterclass in composition. Up there with the movie Ida
Wonderful video Tatiana 👍
Thank you James!
Ripley is a masterpiece every shot is a study in itself the detail its a instant classic its noir which i grew up watching !!!
Agreed!
Great review, Tatiana. Not only an awesome series but a brilliant take on the movie (haven't read the book yet). And I couldn't help but think about how beautifully and creatively the movie was shot while I was watching. The entire time, I might add. It seems they took their time with it and in doing so, created a modern masterpiece.
Yes I agree, they took their time and made a great series! Thanks for watching 🙏🏻
I'm loving it Tatiana!
Thank you 🙏🏻
Absolutely stunning show.. looking forward to watching it again at some point
I’ll probably rewatch it too at some point!
Yes I was just telling a friend how impressive cinematically, visually this series was! So much of the shots are amazing and could be high art stills.
Agreed!
Great Video, Tatiana! Very nice frames about composition and lightning. Would love to See a Video about Caravaggio.
Thank you Robert, appreciate your support!
Truly extraordinary
Great review! It is one of the most beautifully filmed shows I have ever seen. As to rhythm, I think we are so used to fast cuts - especially in Hollywood movies - that any shot longer than about 2.5 seconds now seems slow. This series was paced more like a 1940s or 1950s film; entirely appropriate given its film noir styling.
I agree with your points, especially with pace being similar to 40s or 50s movies.
I have watched it and I agree; it’s a learning experience for photographers.
Thank you!
Always learn so ugh from your videos, and this one was great as well.Looking forward to watching Ridley with an eye towards your discussion. Thank you!
Thank you for watching Jeffrey!
Absolutely agree. Amazing show. Writing, photography ... it has everything. It looks amazing. And definitely make a Caravaggio video, please.
Will do Andrew thanks for watching & leaving your feedback!
I never seen the Ripley series but wow I'm impressed with the photography of it, thank you Tatiana for another great video. I'm also going to look into "Purple Moon" too and see if I can watch it somewhere on the internet. 😎
Thank you Rich! I hope you enjoy both purple noon and ripley, same story but different lengths and takes :)
For me the most inspiring video media that could have most of its film frames printed and presented as fine art is the 2024 film Cabrini. I was surprised with the composition and use of shadows/light in many scenes. Even some simple sequences that would of normally have been done simpler, but the director chose to do a behind and elevated shot of two people talking in a grass field to show the vast expanse of the scene and invoke more emotion of the characters struggles. And the scenes using the lantern light and light filtering in from doorways was just simply the most beautiful cinema scenes i have maybe seen.
Hi! I haven’t watched it and to be honest never even heard of it so that’s amazing because I’ll be adding it to my watchlist! Than you so much for watching and sharing!
@@TatianaHopper There is actually a KZhead video showing the first 19 minutes of the film that can give one an idea. Just search for "Cabrini | The First 19 Minutes | Angel Studios". And enjoy. And the actual accomplishments of Cabrini the women and what she did after she came to America is just crazy especially when you consider her heath was bad and she was in her 30's already.
Brilliantly put together episode, Tatiana! I am enjoying watching Ripley and I love the black & white aesthetics that the filmmakers went with, there is so much to take in when the distraction of colour is taken away. Put me down for an episode of Caravaggio, per cortesia!
I agree with your takes Sebastian, thank you for watching and yes another vote for Caravaggio! :)
The only problem I have is I've watched the Alain Delon Version (Purple Noon 1960) which is just a legendary cinematic piece. His portrayal of the character was legendary & can't be matched to the point where the novel's author said: "I truly loved how Delon mastered every single aspect about the character exactly how I imagined him while writing, & ended the quote saying I hope no on ever try to re-create the movie, because no one will be able to match the mastery Delon brought to the screen". Of course the novel is so great so hollywood did a remake called The Talented Mr. Ripley 1999 as you said & now this TV Show Ripley 2024! Many film critics say that although the author Patricia Highsmith sadly passed in 1995, still they say she was lucky that she never saw the other movies after she saw Delon portrayal of her character. May she Rest in Peace! I never saw any of the remakes! But after watching your video I think I will watch the show as I'm a photographer & cinematographer too! I loved your video! BTW, if anyone never seen Purple Noon 1960, I highly recommend it! It is a master piece in acting, directing, cinematography, locations, fashion & style. Also, It is one of my favorite movies when it comes to COLOR GRADING + AMAZING SOUNND TRACK by a master too Nino Rota (Who composed many epic film scores like 'The God Father' & many other films).
She literally recommended that same movie in the end and said it was her favourite 😂
@@mid90s75 Hahah yeah because truly Purple Noon with Alain Delon's charisma and acting is something that just can't be matched! ! BTW actually while I watching her video & was still in the middle of it I started writing the comment (I was saying on it the same thing above but also I was saying "I recommend you watch Purple Noon because it is the best) then I watched the rest of the video and I said oh she knows the movie .. so I deleted the first comment & wrote this one & changed the part "I recommend YOU watch.." to "I recommend EVERYONE to watch..."!
Fascinating analysis, bravo! I instantly subscribed! Looking forward to future videos :)
Thank you so much 🙏🏻
Caravaggio video hell yeah! 👍🏻
Let’s do it then! ✌🏻
I've told every photographer i work with to watch this - its incredible.
Seriously awaiting the coffee table book of the cinematography culled by the DP!
Yeah it's so beautiful. The stone steps to the house knocked my socks off.
I enjoyed your discussion of this totally engrossing series which has so many marvelous aspects to it.
I’ve been recommending Ripley to all my photographer friends too. Easily some of the best cinematography I’ve ever seen. And it’s despicable that the DP’s name was never mentioned in the credits. Preparation for some of the scenes must have taken days or even weeks to get just right. The cast must have spent a LOT of time in their trailers. Incredible series that I will go back to time and time again.
I guess it most definitely took a long time to prepare and shoot, location scouting alone it possibly took ages but it was all worth it in my eyes. Thanks for watching!
Entirely agree. I fell in love with every scene in this series.
Same! Thanks for watching Rachel!
I was set not to like this; just had that uncomfortable feeling with the way it's adapted. But wow, was I in for a surprise. It's magnificent. The way every single frame is a work of art guarantees that this series will be the recipient of numerous awards. I had the same initial feeling about "Road to Perdition" and left the theater convinced I didn't like the movie but I kept thinking about it as the weeks passed. I asked myself later, if I didn't like it why am I still thinking about it? It was the cinematography of Conrad Hall. Every frame was a work of art. I watched it twice more. Absolutely anything I can see by Ripley's cinematographer (and Boogie Nights) Robert Elswit will be a must see. The play off Caravaggio's "noir" use of light contrasts blend beautifully into the overall effect.
Thanks!
Thank you so much Bruce!
Fantastic video!! Great job! Can someone tell me what the song at the end is called?
I love your videos. As always you teach me some more and show the dept of things. Thank you so much for that
Thank you so much for taking the time to tune in 🙏🏻
The photography references in Ripley are cool. He uses Dickie's Leica III and Dickie's girlfriend is a photographer. In once scene, Ripley uses the Leica with a collapsible lens and in another he is in a photography store. In addition, a photograph plays a key role in the end.
💯
I did notice some really great compositions in watching this show.
Quite right, it is a masterclass in monochrome cinematography.
Absolutely!
Thanks for the video. I truly enjoyed it. I loved the series Ripley. The photography was excellent. I actually found myself shooting my own frames with my cell phone while watching it. I was particularly fascinated by the Cameras that featured in many of the scenes and captured them with my cell phone it reminded me of the movie eyes wide shut with the Christmas tree that appeared in almost every scene not to mention the cat that kept an eye on everything😂 and please do the video on Caravaggio Warm Regards from South Africa 💫
Another vote for Caravaggio, I’ll definitely work on it. Thanks for watching and for sharing your thoughts about it. Greetings to South Africa! ✨
Couldn't agree more. I genuinely enjoyed this one and I am sure it is gonna have an impact on my work on some level.
Thank you for watching!
To be honest, it takes a while to let RIPLEY from 2024 to intrigue the viewer... one has to accept the slower pace but then it catches you with an almost unbearable intensity that has become rare these days. The cinematography is beyond beautiful and artistic and definitely a must see for any visual person. I would instantly buy a book showing the most exceptional screenshots. I never knew how colourful black and white can be... 🖤
Yes, Tatiana please make a video about Caravaggio !!!!
Will do! 🙏🏻
Good video you did here. There's a lot to say about tv series. For example, in the 1999 film 'The Talented Mr. Ripley', star Matt Damon looked like the 'guy or neighbor next door'. Someone you would naively invite into your home, a wolf in sheep's clothing. As with Jack Nicholson in 'The Shining', Andrew Scott looks sinister from the beginning of the series. As for 'Ripley's' cinematography, director Steven Zaillian and cinematographer Robert Elswit must have been influenced by such films as; 'Touch Of Evil', 'Psycho' (not the remake), 'The Good German' and 'The Third Man' in order to capture the period look of 'Ripley'. You should study the prints of Russian photographer Aleksandr Rodchenko, encouraging artists and photographers to create an image from a different perspective, from above, from below, through a window or a wine glass. To break away from the rifleman's viewpoint many photographers and painters often take. Keep up the good work.
when I watched this movie it made me see the impact B&W can have!
Nice video - Caravaggio and Hopper are perhaps my biggest artistic photographic influences … and when talking about the The Ripley interpretations … don’t forget Saltburn, the parallels are startling!! Also beautiful cinematography, though complete contrast to the stunning work in Ripley … two big shout outs … one for that beautiful old Leica and the other, for the ‘cat’ … beautifully filmed and of course, who knows just about everything!! 😊
Thank you for watching Robin! Yes Saltburn has parallels I really liked it but I didn’t want to mention it because I’m planning a video where I’ll touch properly on it. :)
Thanks for this! Looks amazing, so going to start watching tonight.
Yeah hope you like it :)
Gracias, me gusta este actor, lo conocí como Moriarti en Sherlock :) La fotografìa se ve increible.
Gracias por tu opinión!
Hi Tatiana. Your videos are excellent. I was one of the commenters on Ripley in your other video. The series was a masterpiece on many levels and your comments on the series were enlightening. I was looking for a particular filmic motif in the series but it seems there were so many: the stairs, the cat, the ashtray. I wish hey would release this on a DVD. The way the series ended hinted at a possible 2nd season but why tamper with perfection?
Hi Ed! Thank you for leaving the suggestion in the other video, glad to see you here too! The motifs is a really good point I should’ve talked about I forgot. Elevator, stairs, cat, mirrors… I hope they don’t make a second series I’m of the same opinion why tamper with perfection! Kind of like Twin Peaks, I was all in for the 90s seasons but not for the newer ones, same reason! Thank you so much for watching 🤝🏻
Love the parallels made between Caravaggio and Ripley in the series. Both intensely talented and equally disturbed.
Agreed! You out perfectly talented and disturbed!
You covered this really well. You picked out a load of stuff I wasn’t aware of. Yes..please do a Caravaggio piece.
Thank you for watching and for the feedback!
One of the series would recommend for wonderful compositional framing is Penny Dreadful. On another note Ripley producers must have had a copies of Silvia Di Paolo books and the great example of Italian post war photography, Strada:Italian Street Photography. These were Photographers who were working at the time that Ripley is set.
Interesting that some criticize the pacing. I thought it was perfect, neither dragged nor overly hurried. Sometimes you need to visually dwell and experience the discomfort of the scene. For myself, I found the first episode or two almost too focused on the cinemetography to the detriment of the story, and I'm still puzzled at the awkward unlikability of Ripley in this version, but by episode three I was absolutely hooked. For fun, I watched the 2002 version with Damon and Law and found the colors and messy patina of Italy delightful. The feeling was less noir but quite edgy in its own way. There's something about the Kodak colors of the 90s and early 00s film stock.
Yes, do please make a video about Caravaggio and how his artwork can be used to teach photographers how to improve their craft.
It’s already up, check out the latest video on the channel :)
Your videos are such a breeze of fresh air in this KZhead world where all have the same style of making videos. PLEASE do make the video on Caravaggio, I’d love to know more about his technique and what you have to say ❤
Perfect I’m looking forward for a video on Caravaggio! Thank you for watching and for the feedback 🙏🏻
Gotta say, I love those curtains coming down😎
Tatiana, you couldn't have said it better. Ripley is a masterpiece. I really like Minghella's version, although some criticize how they portray Matt Damon's character, for me, he nails it. In fact, it's Damon's best performance. The rest of the main cast was also well suited, I'm talking about Jude Law, Gwyneth Paltrow, and the ineffable Philip Seymour Hoffman. But the Steven Zaillian Ripley is on another level. Every shot is meticulously planned and in itself is a photographic image that, in most cases, whether intentionally by its author or in our imagination, refers to classics not only of cinema and photography but even of literature. As an example, the scenes of Tom's murder of Dickie on the boat transported me to Hemingway's novel, The Old Man and the Sea. I also believe that all the characters are unbeatable, not just the main ones, all of them. I have read some criticism of Eliot Sumner portraying Freddie Miles; for me, he is better than the one played by Philip Seymour Hoffman, his appearances are short but his character is deliciously despicable. A masterpiece.
Yes I agree with you that everything is so meticulously planned on Ripley and really good reference The Old Man and the Sea. To me it also reminded me of Steinbeck’s The Pearl. In my humble opinion I think the whole cast was very good and the actors were very fitting from Elliot to the actor who played the inspector. I thought they all did really well. Thanks for watching!
Excellent 🎉
Thank you for your comments. You say that you were pleased to see “that Netflix is embracing different and highly styalised content like this”. The series was made by Showtime and Netflix picked it up for a song when Paramount took over Showtime. And yes it is brilliant in every way.
That explains it! Still the fact that Netflix picked it up and aired it is a very good point. I wish they could do more or pick up more content like this, it’s always positive!
A Masterpice, i love it!
🤝🏻
Caravaggio definitely!
🤝🏻
Genius of photography (BBC) maybe 15 years old but still brilliant. Great content as usual
Will look it up, thank you so much 🤝🏻
It's from the 80s
@@canturgan no it’s not, 2007 it was released
Yes! Please make the video about Caravaggio! I'm a huge fan of his lighting with chiaroscuro :=)
Working on it :)
A visual tour de force!
Great video, thanks
Thank you for watching Angel!
@@TatianaHopper I loved Ripley and enjoyed every frame, a true masterpiece.. Greetings from Argentina!
Greetings to Argentina! 🇦🇷