5 CHEAP Netflix APPROVED Cinema Cameras In 2023
2024 ж. 22 Мам.
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Here are 5 CHEAP Netflix APPROVEOD cinema Cameras that you can buy in 2023 without going broke. This was taken straight from Netflix's approved camera list. If your an independent filmmaker looking to pitch your film or documentary to Netflix then your going to need to get that Netflix stamp of approval.
Netflix Approved Camera list
partnerhelp.netflixstudios.co...
Sony FS7
www.adorama.com/us1592046.htm...
Ursa mini 4K
www.adorama.com/us1616783.html
Sony FX3
amzn.to/44gfUvi
Contents of this video
00:00- Intro
01:11 - Camera 1
02:00 - Camera 2
04:15 - Camera 3
05:43 -Camera 4
08:54 - Camera 5
10:06 - My favorite camera on the list
Let's nerd out together about cameras, check out my discord: discord.gg/dczkZTk5
yo can you hear me now?
can u hear me now
First, your Discord link has expired... Second, I honestly think the LUMIX BS1H is due a refresh, to make it even more approachable for indie Virtual Production workflows. For $3500 they could sell a Gen2 with 12G SDI, add a V-Mount Battery slot, a folding monitor, and 4K 120p + HD 240p outputs, without changing any of its other features.
The entire premise of this video is not true. If you want to sell your Indy movie or doc to Netflix you DO NOT have to shoot on a “Netflix approved” camera. It just has to be good enough for them to want to buy it. The list ONLY applies to Netflix original content and if are shooting one of those you’ll have the budget to rent whatever camera you need. This obsession with the Netflix approved list is so silly.
Facts.
@@CineDailiesSaw the title of this video and came to say the exact same thing. It could be shot on a potato and if they want it, they will pay.
I wondered how far down the comments I would go before I found truth lol
Yup I just talked about this, I call it the "Netflix camera Paradox". The real reason say this is because it's a gimmicky thing to say to clients who don't know no better for you charge more
I guess most people understand that fact, the "Netflix approved" tag just kinda ensures that your camera is good enough to shoot at the same level as a netflix original content.
I bought a Netflix approved camera a month ago and then Netflix called me and said “hey saw you have a Netflix approved camera, make us a movie” so I filmed my dog running around, eatting, pooping, and sleeping. I just kinda made a montage of it for about 2 hours and then the film just kinda ends. Best purchase ever.
So what happened? Did they pick up your movie?
Better than Lift was, I'm sure.
Nice!
Just watched it yesterday! Great movie bro!
I saw that! I thought that was Sarah Jessica Parker!
*the thing I've learned about the "NETFLIX APPROVED CAMERA PARADOX" is that they usually will license a lot of films through a film house that have proper representation with some type of watchable script no matter what its filmed on (hell some stuff i know for a fact was shot on a DJI X5 at the time), now if you are in a situation where you are hired by Netflix to do a original that allows you a budget with a production team, nine times out of ten you will now have a budget specifically for gear... so the only reason i feel people are saying the "GET THIS NETFLIX APPROVED CAMERA" is to tell clients this who are hiring you to DP the film*
Well said and this is totally unnecessary video.
Yup, found out some movies use gopro hero 9 footage in it. They don't care what it's filmed on.
The Netflix approved camera list is meant for their own in-house production. For others they can shoot on what ever like their phones. If they like your film you shot using your phone they will take it. The list is published as benchmarks if you would fallow their requirements for camera equipment.
Definitely wrong that’s not a fact
@@bandamountcinematics2.06 Few samples are High Flying Bird, Unsane, Tangerine, I Play With the Phrase Each Other and Searching for Sugar Man. All of those were entirely shot on iPhone for Netflix
@@joicam123Thank you for this comment. It was helpful
Sony FX30 is about half the cost of the FX3. It’s a great camera to start with if you’re on a low budget or primarily shooting outside and in controlled lighting conditions. Other than really low light conditions, it can pretty much do what the FX3 does. For a starter kit, I would pair it up with a FE 20mm 1.8 G lens, which is a great lens for under $1K. That gives you an equivalent of 30mm on full frame, which really gives you the ability to do a lot in different shooting contexts. The nice thing about that lens is you can still use it if you decide to go up to FX3 or any of the FX line cameras. Personally, I like the 20mm better than the 24mm, which is significantly more expensive. That said, for a real bang for the buck for a new film maker with low budget, I’d get the FX30 kit with the XLR handle and pair it with an APSC lens. A Sigma 18-50mm f2.8 goes a long way or if you prefer to stay native, Sony has some great APSC G lenses that are very capable and affordable. Having that XLR handle elevates the audio quality to where you would want it for pro work. So, with an FX30, you can literally get an entire film making set-up with a camera body, audio, lens and a couple of UHS-II v90 cards for a little over $3K (as of Oct2023). That entire set-up is everything you need to take on client work and it’s less than the cost of an FX3 body. Also, the nice thing is that even if you upgrade later on, the set-up will absolutely work with a multi-cam workflow. FX3 and FX30 can embed timecode metadata through a multiport, which makes syncing in post a total breeze.
100%, plus you’d be way better off with 2 x FX30s rather than one FX3. Having only one camera is kind of limiting, and multiple cameras speeds up the shoot.
Or go for the ZV-E1, while not ‘netflix approved’, you get the same specs and lowlight performance as the FX-3 but in a smaller body for less than half the price of the FX-3. Can basically completely rig out a ZV-E1 for the price of an FX-3.
@@heykoen The ZV-E1 is a great camera, but you can’t use it in a commercial setting, there’s always a chance it will overheat. It’s a great camera for solo creators, where if it overheats, the only person who’s affected is the owner. But you can’t use cameras where there’s a chance of failure when you’re charging people. Clients are gold, literally they’re paying you money, you can’t jeopardise your future income on unreliable gear.
Great video! I mostly shoot on Sony FX9/A7S3 but I can say that the i interface for the S1H/BS1H is amazing. I know in the past some of the G/GH cameras have been clunky but what they did with the new S series cameras is amazing and simple for video shooters.
Can you hear me now? Glad to see your channel is growing. You keep posting great videos like this you’re gonna do great on KZhead. As a Sony user I think the FX3 would be the best choice for me seeing I have plenty of E mount lenses. And I already own the A7iv which has the same menu as it so I would be familiar using it right when I get it. But boy would I love to have a FX6 sometime down the road. I just hate how expensive the cfast type a cards are
This vid is a tremendous help. Thank you for putting together.
If Netflix is hiring you to shoot for them under thier brand, then they want you to use their approved list. In which case you should already be established and connected. If you have shot your content independently and are pitching it to them for distribution rights, it's just about the end product. If it's something they think people will watch on thier service, they will buy it. It just gets listed as your production and not theirs. Personally I think thats better for you individually. If you are looking specifically to shoot for Netflix or better still they are looking at you to shoot content for them, by all means, use the equipment they want you to. Outside of that, we all have to start somewhere. Write or source a story you think people will want to watch. Get the equipment and people you can afford. Then make the best production you can. Once your done, copywrite it, pitch it everywhere and see who bites. If nobody wants it, self publish even on social media. It will build your reputation. If it does well, someone will come looking for you to get your next production. If not, make something better and try again and again and again.
É isso!
This is what Bard said as to why Blackmagic Pocket 6K Pro is not Netflix approved. It does not support ProRes 4444. Netflix prefers that productions use ProRes 4444 for its high color fidelity and low compression. The Pocket 6K Pro only supports ProRes 422HQ, which is not as good. It does not have a dedicated timecode input. Netflix requires that cameras have a dedicated timecode input so that multiple cameras can be synced together. The Pocket 6K Pro only has a 3.5mm mic input, which can be used for timecode, but it is not dedicated.
That’s an incredible comment thank you🙏🏻
Dont ever trust BARD --- every interaction with me has lied.
I don't think any cameras mentioned shoot 444 besides the Ursa mini.
I wonder why not just allow to shoot in BRAW then? the 12K update has made it now Netflix approved. I can see why the 6K Pro might not be approved because the rolling shutter artifacts can get really bad if you're doing handheld and Netflix might not want to waste time in post fixing it.
@@AndrewZeletrainStudios the 12K update, from what I've gathered, just has a better IR cut filter in the olpf. most BM cameras have suffered from slight IR leak (which is only noticeable in certain situations) but the URSA mini and G2 were not exceptions to that, so I have no idea why they would be approved but not the 12K or pocket cameras.
THANK YOU ENORMOUSLY FOR SUCH RELEVANT INFORMATION. KEEP UP THE FANTASTIC WORK. ✌️
Just got the Sony FX3. I’m in love. I’m not a cinematographer, I just run a small KZhead channel and I appreciate cinematography. Because of that, I made the jump to the FX3…… from the VZ-E10. So it’s been a MASSIVE upgrade and I am so excited to see what I can do with it.
Some of the shots of the FS7 were actually the FS5 Which is a fantastic camera for the price just not Netflix approved
There’s nothing wrong with the L-mount. It’s the most “open source” mount of them all. Panasonic actually worked with Sigma to perfect the EF to L-mount adaptor and updated their firmware accordingly. I dont know of any other mfr who would even dream of working hard to enable competitor lenses in the interests of their users. If you have EF glass, then L mount is just as usable as any other mount - probably more so because of the collaborative engineering that went into it. If you get an R mount camera, you are banned from using lenses from other mfr unless you use an adaptor. So expressing concerns about L mount is kinda ignorant.
There is also a l mount to ef mount that has a built in VND that rocks
"CAN YOU HEAR ME NOW" That being said. Your video popped up in my feed on KZhead. Most definitely like your presentation. Had to subscribe. Keep the content coming. I'm learning something.
Glad you enjoyed it brother🙌🏻
“Can you hear me now?” 😊 Thanks for taking the time to make this video man- so helpful!
If you’re worried about having a Netflix approved camera and don’t have the money, don’t worry, you’ll never need it. Netflix won’t give you an original production, and if they do, they’ll pay for the camera rental, anyone you want. You don’t need a Netflix approved camera for your content, just theirs.
Glad to see my camera on the list 😋 - S1H but..... I shoot with b-raw on the Video Assist - love it. Without the b-raw or PRR, the internal sharpening and NR is too much. I don't think I could ever use a cam without an OLPF again. Just wish it had internal ND. That being said, I think the two best deals at the moment are the S5iiX and the Blackmagic 6k Pro.
This video is not true. Netflix approved means: if you're shooting for Netflix. You can still sell your movie shot on any camera to Netflix.
S1H wasn't on his list, the BS1H IS... It should have been, it's a really nice camera. I just upgraded to the C70 from the S1H
@@LonzosStudios essentially the same camera. Only difference is no ibis and no screen on the bs1h. Everything else is the same including olpf which has become a must for any future camera I buy.
@@LonzosStudios the S1H is Netflix approved. It's the first Still camera to be accepted by Netflix.. But if you don't work for Netflix making originals, any camera will work for you.
@@fourth1000 oh yes I know it’s Netflix approved…I was trying to say that it should also be on this list
FX6 user here but going to be getting an FX3 soon too. The FX3 doesn't have built in ND because they couldn't fit the ND system and the IBIS into the size apparently. Te IBIS is great on the fx3 for handheld bRoll. Awesome camera. Always an easy fix if you have the budget to use the fx3 with the Tilta Mirage VND. You went all the way up to the c70 budget but you didn't make the couple of hundred bucks jump to talk about the fx6.
i helped a friend of mine shoot a documentary he used the fx9 and i used the fx3 and to match both cameras was a breeze and i was surprised at how great the fx3 felt and looked
Hard to beat those BlackMagic menu system
I feel the list being publicly available has caused a lot of misconceptions. The camera list doesn’t just test image quality. The Netflix team test codec stability and inputs and outputs and how stable it is on productions like will it overheat when shooting or will the files get corrupted and stuff. A lot of production logistics that don’t affect the end result image quality but on ORIGINAL content that Netflix creates they don’t want to be spending $50,000 a day only for half that day to be wasted because the camera is having issues recording and not reading the cards. Where when you sell to them they only really care about image quality they don’t care if your camera shut itself off 5 times during a take or overheated or lost data as long as the whole film is complete when they stream it. It’s really just studio notes that are irrelevant to everyone creating stuff independently. Rule of thumb who is paying your cast crew or travel experience? If Netflix then use the approved cameras they are paying for if you are paying for it then use whatever
Good explanation.
True. Tarantino and Nolan will never shoot digital, and even Soderberg used an iphone 7 on unsane. And Pixar uses processors, not cameras.
Hmmm, that's the minor consideration. Mostly, the in-house VFX/Colorist wants a strong aquisition codec as the footage is property of Netflix. The Netflix-Approved thing is a production requirement, more leaning on a strong preference. If you're hired to shoot a Netflix Original (I'll wait for the comprehensive list of KZheadrs that are) you'll be given a budget, which at that point you'll hire some Alexas. Everyone else shouldn't concern themselves too much about the inner working of Netflix, as it literally doesn't matter nor inform anyone's work. But it sure makes a great thumbnail. 🙄
The ursa mini 4k uses the sensor from the production camera 4k. The sensor of the 4k has less dynamic range then the 4.6k rollong shutter sensor found in the mini 4.6k and the ursa mini pro. The 4k gives you similar image quality to the pocket cameras with not so shoe like form factor
Just picked up a Canon R5C. I've been doing my KZhead channel with the 6DMk2 all this time but it just looks... old now. So excited to get my camera tomorrow. Shooting a new episode this weekend. Can't wait to see how I'll screw this up. Excellent video, learned a lot. Thank you. "Can you hear me now"
That’s awesome man good luck on your journey brother
You forgot the Lumix BGH1, which is a Netflix approved m43 camera, and brand new it's less than 2000 USD. You can even get it used for around 1300!
If that’s true then what about the rigs and lens?
@@boxoffisa minimal rigging with that one and there are some cheap lenses for m43... ;)
Can you HEAR ME NOW!!??!! The FX3 is probably the best way to go. I’m not a Sony fanboy but it probably is the best all around camera and system. The fact that Hollywood is using it doesn’t hurt either.
My first DSLR/mirrorless was a Sony Nex3, and I LOATHED THE MENU SYSTEM, my next camera was the BMPCC 2k, and that menu while not great, WAS MUCH EASIER TO USE than the sony...I picked up couple of canon's after than, much easier to use than Sony's and now that I have a 6K and I LOVE THIS MENU
I have the BS1H and it’s great. However before you ever use it in a mission critical situation, you must be very adept at switching in/out of RAW mode. Basically you lose visual feedback on your monitor in RAW. Again, not a big deal if you understand the system, but a deal breaker if you don’t understand how to navigate.
No, doesnt work like that... You can shoot on whatever you want and if the person on aquisitions like your film, they'll buy it. Netflix approved cameras are a list of equipment they tested internally for their original shows, but even shooting on an approved camera is trivial if you dont follow their guidelines for post production since they want all projects delivered in a certain manner for future exports. In fact if you get a project a approved and want to shoot on a different camera you can you just need approval from QC department.
Blackmagic Design did not apply to Netflix approval for their pocket 4k and 6k cameras. It's a marketing strategy to push their higher end cameras. Since pocket cameras sales are very good they didn't need that. Though a lot of Netflix content shot by pocket 6k. They just don't tell it😂
Love that content. Thank you so much
Great info! Thank you!
Can't wait to see how the FX3 performs on the movie "The Creator"🍿🍿🍿 Thanks for this Alex! Really narrowed down my decision on getting the FX3🙌🏻 CAN YOU HEAR ME NOW
That’s awesome man enjoy it’s a great camera
Most of this film was shot on Sony Venice, and only some shots were shot on Fx3
Great list honestly, but since you mentioned a used Sony camera people can also find find a LUMIX S1H used around 2,000$ and if not sometimes lower than that price
Can you hear me now? Keep up the great work and the reason Netflix kept most balck magics off the list is because of the olpf filter lacking in some of their cameras. But I believe the addition of this filter is getting more black magics newer cameras making the list.
If you’re trying to use ISO to compensate for light as a filmmaker, maybe reconsider. Also, the FX3 menu has changed so much from what the A7SII and even A7III and A7SIII used to be, it’s completely different and filmmaker friendly. ND filter is not in the FX3 cuz the body isn’t high enough (you need to mechanically move a tray slightly larger than a FF sensor from the bottom. That’s why the FX6 is twice the height, just like the FS7 and Ursa cameras. Also costs plays into this.
Wtf. If shooting a documentary, using a camera with a high native ISO in low light is EXACTLY what you should do.
I'm a professional and use iso all the time. please be quiet if you're not a professional and literally have no clue about cameras. thanks.
@@janeeightfive7331I’m a professional too, I rarely use high ISO, if you don’t have enough light then just add more light.
The whole Netflix approved list ONLY matters if you are filming Netflix original content. You can use any other camera out side of that list. Also, why are filmmakers hung up on the camera aspect? you need a story first to pitch to Netflix haha. Also also, RED cinema stake holders are on the Netflix production board...so that says a lot.
exactly , I think youtubers make to much noise about it meanwhile not working for netflix.
People with KZhead accounts need to really deep dive in their research before they push this stuff out. If Netflix actually wants your project, it doesn’t have to be in their “approved list”.
So true. I’ve been blown away with the amount of disinformation regarding only selected cameras. Like @CineDailies just mentioned, this is only a requirement for Netflix original content. There are endless amounts of videos on Netflix not shot on that short order list. It means nothing unless you’re creating an original Netflix presentation.
Preach!
Dude you’re a KZheadr you should know better … he’s making content that people watch on KZhead … Most people will find out real fast that having a great Camera is not even 90 per of the equation… Good Story Telling Rules EVERYTHING… From Marketing to getting into a good college … and even “5 Cheap Cameras that are Netflix Approved” …
Man I've watched this stoned on a big screen with a headphones and damn, your sound and music work is Awesome! Right tones in the right places, wery good.
That was so helpful! I was looking for a camera to shoot my netflix documentary, now i know wich one to buy! THANK YOU, ALEX! CAN YOU HEAR ME NOW? i actually need a mic too…
It was really helpful!
This video was graded with my cinema Luts: www.alexzarfati.com/luts My favorite lens amzn.to/3CCR7X1 Join my FREE Cinematography Training www.alexzarfati.com/freecinematographytraining Follow me on Instagram: instagram.com/alexzarfati/ Follow me on TikTok: www.tiktok.com/@alex.zarfati My Camera Bodies Ursa 12K amzn.to/3AyXpnT Bmpcc 6K Pro amzn.to/3TuW7Do My Lenses Sigma lens 24-70mm amzn.to/4433N4a Sigma lens 50mm amzn.to/3CCR7X1 Sigma lens 24mm amzn.to/3RmYl5R Sigma lens 50-100mm amzn.to/3PTUpIF My Drone Mavic Pro 3 amzn.to/3AyXpnT My Audio Gear Rode NTG3 amzn.to/42KGkDx Cheaper Lav System amzn.to/3Q1eYD1 Better Lav System amzn.to/3e0bcwd Zoom Recorder amzn.to/3CHmC2q Patch Cable amzn.to/3R4a1uy Get this for Rodelink lav set amzn.to/3pSyO8H Boom Pole amzn.to/3wFwoy8 My Monitor Feelworld Cut6 Monitor amzn.to/3n9qmnj Feelworld Monitor amzn.to/3PZLa9C SDI Cable amzn.to/3R16cWV HDMI Cable amzn.to/3pVpzoo My Lights FEELWORLD: 225B amzn.to/3GSPxlKFeelworld FEELWORLD FL 125B amzn.to/3Gu2MI9 Aputure 120D II amzn.to/3q9ue60 Aputure 300D II amzn.to/3RfaXeY Aputure Mini Lights amzn.to/3RlUDte Nanlite Projector mount amzn.to/44BAxTd Aputure light dome amzn.to/3cxC3zs Aputure light dome Mini amzn.to/3ATJIl1 Tripods and C-stands Tripod Small rig amzn.to/3Nbf5MJ Tripod amzn.to/3AtMRXn Cheap C-stand amzn.to/3PYuYWq Better C-stand amzn.to/3Rvw4d8 Accessories Ursa sticky circles for lav amzn.to/3Ax6Iov Sandbags amzn.to/3e6Fzky Clamps amzn.to/3QYSZxS Gaff Tape amzn.to/3wETbdo Painters Tape amzn.to/3wHAQMN Tool Set amzn.to/3AwYLQ9 As an Amazon Associate I earn from qualifying purchases #commisionsearned
I will buy the lens too!
Whether from your experience you Agree with Alex or disagree, he speaks intelligently and honestly. This is so refreshing. He knows what he knows and shares accordingly rather than delivering content expertly gained during the first and only half hour ever spent with a camera. Oh yea, those people are everywhere, especially when it comes to editing. Technical exigencies aside, gear you prefer is as personal a choice as your favorite style/brand/model/design of car. The one you really wanted when you bought your first. Mine was a sky blue TR6 with the engine swapped out. Dang. CAN YOU HEAR ME NOW
Great video. Thanks for sharing.
Thanks. That was really useful
Thanks for all this information
You missed the Red Raven!! 4.5k 120fps R3D raw and packages going crazy cheap atm! A phenomenal camera that in pure image quality blows our Sony FS/FX cameras away (in our opinion anyway hehe 😁) Thanks for the vid!
Thank you for this!
The Lumix S1H was approved too, but just like you said i dont understand why they are taking too long to introduce new cameras! There are many recent things out there, the Canon R5C, the black magic 6k pro mark2 with ND filter, mark 3 has also just be released...
Thanks for the info!
Still use the gh5, ninja V and with some vintage lenses... man... The looks I am coming up with are insane amazing! what a time to be a filmmaker ey!
For two years I used GH5 + Atomos ninja inferno (4k prores HQ up to 60fps) and then I bought BMPCC4k. The blackmagic image is better in color and more cinematic (Braw). It is cheaper and does not require any external recorders.
Great video. Subscribed.
Some notes on Dynamic range: - Ursa mini pro g2: Advertises 15 stops, lab tests 12.8, 2.2 stops short, $468/stop. - FX3: Advertises 15+ stops (same as a7siii and zv-e1 which have the same sensor). Lab test zv-e1 13.5, a7siii 13.6, 1.45 stops short, $288/stop - BS1H: Advertises 14+ stops (same as S1H which is the same sensor). Lab test S1H 13.8. 0.2 stops short, $180/stop - Canon EOS C70: Advertises 16+ stops, lab test 14.2, 1.8 short, $387/stop The BS1H is the camera that lies lest and gives you second best dynamic range at the lowest price per stop.
And none of that matters if you're an actual cinematographer, as part of the craft is crafting/controlling your light. If you're a videographer or especially ENG, then DR spec starts to make more sense in more practical terms as you won't be crafting as much. You'll be documenting. Different beast. I think it's important to understand or remember that cellioud film roughly has an effective DR of 5-6 stops. Most of those stops are in the highlights, which is why they roll off beautifully and has a lot of latitude on that end of the IRE. However, if you underexpose film even by 1 stop, you get a grainy hot mess. Certainly, despite this, many great films throughout a long history were shot on such filmstock. Which translates no one has a viable excuse not to do the same with more stops of DR available to them.
@@matthewhartman7176 DR does matter, to cinematography too. It's not the end all be all, but you certainly don't want to shoot your movie on a potato camera with little dynamic range. There's several reasons why it matters, productivity, convenience, image quality, suboptimal exposure recovery, etc. It's self-evident. But, take it from a logical point of view. If DR didn't matter, why's ARRI sacrificing resolution for DR and lattitude? Why's ARRI pushing the DR envelope? They certainly don't do it for shits&giggles... And fair enough, my breakdown is a nitpick. But it's about honesty. If you go like "Oh the FX3 has 15+ stops dynamic range, it's nearly an ARRI alexa..." No it isn't. Because ARRI understates its DR slightly (by 0.25 stops or so) while Sony vastly exagerates it, so the FX3 isn't nearly anywhere near an ARRI alexa, it's more like an iPhone pro max.
I’m literally listening to everything fully no skipping and not bored
That’s awesome man glad you enjoyed it🙌🏻
It's my understanding, the "approved list" is only for any films that Netflix commissions to have done. From what I understand, you can shoot on most any 4K camera and still submit to get your own film screened on there.
CAN YOU HERE ME NOW? Gosh. Nobody was able to hear me until i got a decent mic. I bet people are going to hear me even better if I win this amazing mic. Love your content. Thank you so much for everything
😂 no problem brother
Thank you for making this video. So good to have a "cheat sheet" to get started in the industry. One thing, though, is that ISO is actually not short for anything, but is pronounced 'eye-so'. You will notice that it isn't 'I.S.O.' but rather 'ISO' and therefore said as one word and not each letter. Just a pro tip from one camera guy to another. Thanks again for this video. I had no idea The Creator was made on such a "budget" camera. That film's cinematography is stellar!
NOT TRUE: a Netflix approved camera is if you're working or shooting for Netflix. You can use ANY camera and Netflix will purchase your film if they want it. I can't believe people are still getting this wrong
Can you hear me now? I shoot s5 which has the same sensor and image as the s1h 😎 Panasonic menus really arent that bad- initial setup takes a bit but the custom menus and functions are so good. Plus you get waveform and shutter angle
I looked into Netflix a few years ago. From my understanding Netflix needs to check all these cameras how their files are and how they will encode. Any issues with the files that can cause streaming to stop is a no go for them. I think they have a few companies they work with that check the video files. We all been there with KZhead videos not playing or locking up for no good reason. Or you might have had some issues loading up raw files into Lightroom and they don't all export and you have to do one file at a time. From what I got is its really about the files being 100% stable and holding up to streaming. If they find even a small issue that camera won't get a green light.
You're confusing aquisition and distribution codecs.
Love my c70, I agree the retail price is a bit much and I was lucky to get a gently used one (under 12hrs of use) for 3900.
Hey what is the microphone kit in the video used for the fx3? Thx
Can you hear me now? That C70 is so amazing. It’s honestly one of my goals to own one.
I just looked at the list and you can actually use any camera so long as it meets the video file requirements they put up such as a minimum record quality of uncompressed raw 422 10 bit 4k which my gh5m2 can do.
you can get C70 used or packaged with .71 speed booster. I've seen them for less than 5k. I got mine new for 5,400 with the speed booster
Thanks for the info
Thank you man!!
I liked this your breakdown. Very informative. My only thing to other DPs or indie filmmakers would be, why are you guys so focused on what Netflix wants or approved?? If you're not trying to work for Netflix or submit your movie to Netflix (which is a waste of time), why care??? This is 2023, a filmmaker can go directly to his or her costumer without the middle man. Internet and social media has made it easier to sell your content to your audience (directly). I have my own movie streaming platform (for movie rental and purchase) and that's in addition to KZhead (free global streaming platform based of ads), to release my indie films. My audience and supporters can careless what I shot on, as long as my movie(s) entertain them, who cares what Netflix likes or want?? Netflix is just a name brand. I live a very comfortable life without Netflix or what camera they approve (for over 10 years). I travel all over the world making indie films without Hollywood or Netflix. Note to all my colleagues reading this, YOU don't need them. Make your movie and sell it directly to your audience don't get caught up in the hype of what camera Netflix approves..
Especially when what they approve is solely relevant to their work. Even if you wanted your film on Netflix, if doesn’t need to be filmed with an “approved” camera.
The blackmagic camera you were showing for 1799 was the ursa mini 4k not the 4.6k or pro. The mini 4k has a vastly inferior sensor with less than 12 stop DR and a bad fpn problem. The Pro has the 4.6k sensor with 15 stops dr and night and day different image.
The Netflix approved camera list applies to productions funded by Netflix, not independent films that might later sell to the site. Plenty of content on there was not acquired using cameras on the list.
Thanks for this video
I just got a BS1h and love it. The image quality is stunning, and the menu system is pretty simple, especially once you set up your quick menu - or use the portkeys monitor controls. For a couple of the cons you mentioned - I use a L to PL adapter with drop-in filters from Breakthrough Filters, and that solves the problem of not having internal ND as well, since you can use the 1.5-11 stop VND with it. It's also super easy to adapt to EF lenses if you prefer, just no drop-in filter option for that, YET.
2nd hand Arri Alexa all the way. Solid. 90% of crews know how it works and post can deal with the colourspace as a default. It might not have the best technical image, but in the field it produces the best images.
Thanks for the video. This is extremely helpful. I seriously appreciate. I’ll have to save up my pennies to get a Netflix approved camera.
Is the ursa mini pro ready to use or it needs lenses and stuff
No there’s a lot you have to buy before it’s ready to go
Nice camera choice btw. Blackmagic is the best value for sure.
do you have a link for that mic receiver and handle used on the FX3?
Yeah brother here the best deal I found. amzn.to/3qpMk7F
@@Alexzarfatifilms hell yeah. Thank you!
A friend of mine shoots all his films on the pocket 6kpro and all get submitted to Netflix and are approved . I think what matters more at the end is your film quality
Can you please tell me if my Sony z90 has been approved by NETFLIX I heard it was but i can't find anything about it
Great video 👍🏾
Can you hear me now? I found the c70 at 3800, the same price as the fx3, for a Sony user, is it good to switch to canon?
I feel like it’s very valuable to be comfortable with the gear you have, in my opinion I say go with the Sony
which mic do you use for your audio. sounds crisp
Rode NTG3 but a lot of it has to do with proper placement and eq
Can you hear me now? Short Cuts provides equipment for South Florida high school students to borrow for their films/videos. For free. So this mic would be very useful for students.
What is the reason why they didn’t put (yet) the Black Magic Cinema 6k Pro into the list?
CAN YOU HEAR ME NOW bro? Because this mic would be awesome for me. And I love S1H (not in your list amd Netflix approved)...but I´m going for the S5iiX, because of the cost...and eventually I´ll go for the S1Hii, which is not in your list either. Great video!
To be clear, Netflix-approved cameras only pertains to productions that are commissioned by Netflix. If you have an already-produced movie or show, Netflix doesn't demand retroactively that content be shot on a camera from their list.
There’s a comment on here about how if Netflix wants the content they will buy it, no matter the camera. That is true. If they have commissioned the series, they want you to shoot on one of these cameras as they have a post-production work flow with these, but in terms of acquisitions, which is a different department, they will acquire what they think is good, not on how you shot it. I have been told this directly from a large UK production company producer. I worked on a doc and told them about the Netflix approved camera list because I wanted them to hire one of the cameras for the rest of the filming. The producer went and then reshot all the interviews and BROLL, roughly 50% of the doc, because they said it wasn’t shot on the Netflix format. It was a total waste of money and resources because he misunderstood. If you want Netflix to acquire something you have already made, it doesn’t matter what you shot it on. If they want it, they’ll buy it.
Would you recommend the Sony A7 siii??
CAN YOU HEAR ME NOW Are you trying to bag a Verizon commercial?? LOL Love your content and straight talk about camera and production stuff.
Can you hear me now? Honestly as much as I love the s1h, I wouldn't purchase the bs1h until it is massively discounted on the used market because it is approximately the same price as the s1h with the exact same internals, no ibis, no screen and it is only marginally easier to rig than an s1h in a cage which is also Netflix approved.
What mount does the Canon camera have?
Thanks Alex!!
Can you heare me now!?!! (I would love to have the Comica mic) Why does netflix approve the fx3 and not the Sony A7SIII if they are basically the same (same sensor) except that the body changes?
I honestly couldn’t tell you
Also what do you think about the Canon R5C?
Thanks!!
The comment about L mount being a negative for the bs1h left me scratching my head. Especially after the rave feedback on the emount fx3. The emount doesn’t provide the same ability to stabilize or breathe correct full frame gmaster lenses. With focus breathing compensation the fx3 and other emount cameras lose their FF nature and effectively crop into the frame. The l mount lenses from Panasonic are better optimized to be natively focus breathing corrected and as such as a film maker you get the full frame without requiring an electronic crop. I’d also mention that L mount is practically the most open mount of the lot where sigma, Leica, Panasonic, DJI, etc… all natively support each others lenses as if first party lenses. Just my 0.02
Interesting video. The fx3 menu is totally different how do you not know that. Even the a7siii is way different to the a7sii you used a million years ago.
What about the Canon r5c? B &H has it right now for $3999.99
I am really really really surprised that the SIGMA FP is not Netflixed approved as far as i know its the only camera out there that shoots in true RAW CINEMA DNG format. plus i cant remember the huge selling points of it but believe me its a powerhouse of a camera, 3D luts for the Ari Alexa look is one thing i do remember and its only £1300.00 an absolute bargain for what it does.
Can you hear me now!! Great video as always ❤
I own an FS7 and it is still a beast. You can make a video on a smartphone, and if you have an interesting story, it will not matter what gear you used to make it, it will not even be considered. KZhead gear pushers really should find something else to talk about, for example storytelling and abstract concepts of film making, because we have to many FroKnowsPhotos around already..